Drama

A rich but lonely woman, Frances Austen, one day invites a boy from a nearby park to her apartment and offers to let him live there.
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Four short films from four different directors, spanning from the 1950s to the 1980s.
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The six friends of suicide victim Miguel gather to clear out his things, guess his motives and celebrate his life. Uneasy and sultry atmosphere in this psychological drama whose soundtrack surrealistically erases the boundaries between past and present.
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Sidney Lumet directed this film version of Peter Shaffer’s dramatic play, transforming theatrical symbolism into cinematic realism. Richard Burton received an Academy Award nomination for Best Actor for his performance as Martin Dysert, a psychiatrist determined to unravel the disturbed mind of Alan Strang (Peter Firth), a young stableboy. In a fit of rage, Strang has blinded a stable of six horses. The court then assigns Dysert to probe the young man’s mind in order to understand why he committed such a violent act. But the doctor, who is battling demons of his own, wonders if he can save the boy–and whether saving him at all is the right thing to do. Joan Plowright stands out as Dora Strang, the young boy’s mother.
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An ex-con takes a job driving a truck cross country. What he doesn’t know is that the truck is filled with illegal weapons and now he must fight to survive and save his family.
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Once a mild-mannered liberal, New York City architect Paul Kersey (Charles Bronson) snaps when intruders break into his home, murdering his wife (Hope Lange) and violently raping his daughter. A business trip to Tucson, Ariz., lands him a gift from a client, a revolver he uses to patrol the streets when he returns home. Frustrated that the police cannot find the intruders, he become a vigilante, gunning down any criminal that crosses his path. The public finds this vigilantism heroic.
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A rookie firefighter tries to earn the respect of his older brother and other firefighters while taking part in an investigation of a string of arson/murders. This detailed look into the duties and private lives of firemen naturally features widespread pyrotechnics and special effects.
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In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. The editor of the Post is prepared to run with the story and assigns Woodward and Carl Bernstein to it. They find the trail leading higher and higher in the Republican Party, and eventually into the White House itself.
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Contrary to her husband, Hélène devotes herself to help an French-Algerian prostitute, Malika, who seeks to escape from her abusers. As the film begins, Paul and Hélène, a wealthy Parisian couple, are preparing to go out for the evening. While driving, they see three men chasing a prostitute down the street. She begs them to save her by letting her into the car, but Paul locks the doors and drives away as the three men beat her, leaving her unconscious in the street. He refuses to let Hélène phone an ambulance, afraid of being charged with not helping a person in danger (which is a crime in France). Hélène cannot forget the incident, and the next day she goes to the hospital, where she finds the prostitute, Noémie, in a coma. Moved, Hélène stops work and leaves her family responsibilities to stay with Noémie throughout her recovery, aiding her as she regains mobility and helping her to communicate since she can’t yet speak. When one of the pimps returns to threaten Noémie, Hélène follows him out of the hospital, knocks him unconscious, and leaves him for the police to find.
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Baron Frankenstein travels to a new town to meet Dr. Brandt, with whom he had hoped to collaborate. When he learns that Brandt is in a mental asylum he takes a room in a boarding house run by Anna, whose fiance, Karl, is a doctor who works at the asylum. Blackmailing Anna and Karl into helping him, Frankenstein kidnaps Brandt to learn his secrets.
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Those who loved Graham yesterday shouldn’t count on today. Those who love him today risk being heartbroken tomorrow… Suffering from recurring memory loss, Graham is restricted to a limited short-term memory. He forgets most things after only a few minutes. He no longer recognizes his wife Isabelle nor his young son Antoine nor his best friend Fred. Since each day is a new day, Graham copes with life by referring to the details of his little notebook, the defining key to his identity. He works as a photocopy clerk under the close watch of his sexy boss Sabine, who uses him to his libido’s advantage. Pretty new temp Irene can’t help falling for Graham’s spontaneous charm. But how can Graham really fall in love with her when he sees each time as the first time? Irene is about to experience all new ways of romance. She’ll just have to remember everything for the both of them. Everyone around Graham has their reasons why he should or shouldn’t fully recover…
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Ghulam means a slave. Sidharth (Aamir Khan) is an amateur boxer who does not work, preferring to loaf about with friends. His older brother Jai (Rajit Kapoor) works with a gangster who rules the neighborhood, terrorizing merchants and demanding protection money. As a child Sidharth idolized his father, an ex-freedom fighter, whom he saw committing suicide in guilt after a visit from an old acquaintance. Sidharth meets a girl, Alisha (Rani Mukerji), who rides with a motorcycle gang, and Hari, a social worker. The film tells the story of Sidharth’s romance with Alisha and his reformation.
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Upstart rock ‘n’ roll singer Jerry Lee Lewis (Dennis Quaid) has just cut a record at Sun Studio. Jerry’s cousin, pastor Jimmy Swaggart (Alec Baldwin), tries to steer him away from a depraved life in the music business, but Jerry was born to play the so-called “devil’s music.” With rock ‘n’ roll king Elvis Presley busy with military service, Jerry sees his chance to claim the throne of popular music. But, his unabashed love of his 13-year-old cousin, Myra (Winona Ryder), may ruin his chances.
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Given the usual pedestal upon which mothers were placed by MGM head Louis Mayer, it’s all the more amazing that Mayer gave the go-ahead for Another Language. Louise Closser Hale plays a domineering matriarch who controls the lives of her grown, married sons, using a fabricated heart condition to keep them in line. Helen Hayes marries youngest son Robert Montgomery, only to sit by in mute horror as Mother exerts her authority over her timorous offspring at a weekly family get-together. At the end, only Hayes and Montgomery’s nephew John Beal have the courage to break the apron strings, but not without the formidable opposition of Monster Mom. Based on the Broadway play by Rose Franken, Another Language represented the screen debut of Margaret Hamilton, recreating the supporting role she’d played on stage.
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Michel is a Belgian inventor. He cares for his father, a paralysed writer, is married to a Congolese woman and is the father of an interracial child whom he reassures as to his parentage. He discovers at the age of 41 that he was adopted, actually having been born in Sainte-Cécile, Quebec. In the summer of 2000, he travels to Quebec, supposedly to sell some of his inventions. While on a near-impossible quest to find his birth family in the town where he was born, he crosses paths with Louis Legros, son of another inventor, in a meeting which will change their lives…
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