My films are like that: in a room, but looking out onto an open sky. I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign.
Rupa u dusi / Hole in the Soul (1994) Dusan Makavejev, Rambo Amadeus, Melodie Annis, Dennis Jakob, Documentary, Biography, Comedy
Le monde du silence / The Silent World (1956) Jacques-Yves Cousteau, Louis Malle, Frédéric Dumas, Albert Falco, Documentary
This pioneering nature documentary investigates aquatic habitats in various locations around the world. It doesn’t shy away from the brutality present in the natural world, but it also paints a fascinating picture of underwater exploration.
Am I Black Enough for You (2009) Göran Olsson, Malik Abdul-Basit, Jay Berger, Clive Davis, Documentary
Am I Black Enough for You tells the story about the artist Billy Paul, the city of Philadelphia and the lifelong companionship between Billy and his wife Blanche. It’s a film about love, marriage, about life’s complications. The film follows the story of Billy Paul’s song ‘Am I Black Enough for You’. The song was the second single, a follow up to the classic ‘Mrs. Jones’ a number one and smash hit on both sides of the Atlantic. On release ‘Am I Black Enough for You’ flopped, a failure that nearly cost Billy his career.
Taistelun tie / The Road of War (1940) Risto Orko, Hilkka Helinä, Kyösti Kallio, Turo Kartto, Documentary, War
The film presented the background of the war, the war itself and the reconstruction work begun right after the war. The opening credits of the film are followed by these words written by the director himself: “ONE HUNDRED DAYS of profound sacrifices, boundless efforts and spotless honor – dedicated to the memory of the Unknown Soldier.” In the days following the war, the declamatory tone of those words or of the heroic narration, written mainly by Turo Karto, didn’t seem false to Finnish viewers.
Mark, le réalisateur, a envoyé une lettre filmée de Berlin à Sandra, un peintre qui vit à Paris. Dans ce film, Mark parle de sa rencontre avec Sandra. Derrière l’objectif de la caméra montre votre voyage à Rome ensemble et son voyage à Berlin, à la fois à la recherche de leurs origines juives.
Cold War-era international intrigue, declassified top-secret documents, and a clandestine deal between John F. Kennedy and Yugoslavia’s president Josip Tito are just the tip of the iceberg in this absorbing directorial debut from filmmaker Žiga Virc. Blurring the lines between fact and fiction, Houston, We Have a Problem! explores the myth behind the origins of America’s race to be the first country to send a man to the moon, and a supposed multi-billion-dollar deal involving America’s purchase of Yugoslavia’s space program in the early 1960s.
Jesus Franco, also known as Jess Franco, was one of the biggest names in cinema “B” worldwide. With more than 200 works and a large and peculiar use of pseudonyms, his work remains difficult to categorize, which makes it more exciting if possible. Through a series of interviews with Franco, “Call him Jess Redux” about the viewer sadist, esoteric and erotic world of the director, as refined as rogue. This new version of “Call him Jesus” (2000), considered the documentary reference Franco and directed by Carles Prats and Manel Mayol, incorporates new unpublished statements irreducible Madrid filmmaker and pays homage to his muse and companion, Lina Romay incorporating their active presence the story.
Jim Sledden’s 1998 documentary Brakhage is an interesting, well-constructed portrait of avant-garde filmmaker Stan Brakhage, who made almost 400 film in the 50 years up to his death in 2003. Along with fellow artists Jonas Mekas and Maya Deren, he’s regarded as one of the most important of American experimental filmmakers, and his influence can be seen in everything from music videos to title sequences from such films as Se7en. Starting with the psychodramas so typical of young filmmakers, he eventually moved into more abstract films, even physically manipulating the celluloid itself by gluing things to it or scratching it with a variety of implements.
Bouzkachi, le chant des steppes / Bouzkachi The Chant of Steppes (2009) Jacques Debs, Ali Choriev, Stasys Eidrigevicius, Dilbar Gunayeva, Drama, Documentary
The Chant of Steppes builds on a love triangle. Mohabat likes two men but she can not make the right choice and decides to marry the one who wins the bouzkachi contest. A poet and an artist have to cross mountains and steppes to engage in a noisy and dusty contest of horsemen in order to gain the hand and the heart of the beautiful Mohabat. The rules of the traditional Oriental game called bouzkachi are strict – a team of riders has to get the headless carcass of a ram clear of the other players to win the contest.