Sonja, once a popular Serbian actress settled in Slovenia is on a short visit to Belgrade. She panics claiming that her daughter Sofia has been kidnapped, then disappears. Inspector Despotovic is assigned to the case and when he finds Sonja, she admits that she made everything up, that she never had a child, and therefore there was no kidnapping. But a Secret Service veteran approaches Despotovic and tells him that the story about kidnapping is true. It is highly classified information. The father of the child is Foreign Affairs Minister. On the other hand, Minister claims that the Secret Service has made everything up trying to compromise him. Despotovic is puzzled… Who is lying? Who is telling the truth? Who is insane? Who is about to die?
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Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male written, love letters that undermines his sexual identity and interfere his peaceful life with his beloved girlfriend.
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One could only enumerate the elements to let the film tell itself. And this is besides one possible purpose of Hanoun here. Just let things communicate between themselves without the coercition of usual continuums (space and time) and let’s see and feel what happens. Yet there are clues given, relations but they are separated when one could await a close editing and vice versa. There seems to have two worlds, cinematographic worlds I mean : B&W and colour and things circulate from one world to another, people too…
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A honeymooning couple (Jutta Speidel and Wolf Roth) are hunted down by mysterious kidnappers in cahoots with the evil landlady who runs a hotel. The woman manages to escape, but the man is whisked away by two medics in an ambulance. The bride enlists the help of a truck driver with a CB radio and uncovers a fiendish international plot to provide black-market organs. The ghouls take parts from the bodies of healthy young and extremely unwilling human victims.
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No wonder Bisexual Attorney Alain is confused. He’s bedding his female boss, his guilty of murder client, the client’s hairdresser girlfriend and a precocious boy who knows what he wants and tries to convince Alain that ‘he can have it all’.
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Prior to the United States entry into World War II, Nazi spies try to steal American military secrets. Among those whose passions are roused is Kurt Schneider who was court-martialed and dishonorably discharged from the US Army. Schneider is not very bright and is easily swayed by the oratory of Dr. Karl Kassel, a prominent physician who is eventually made the head of the Nazi spy ring. When Schneider’s contact is arrested in Scotland, the US military asks the FBI to root out the spies. Agent Edward Renard is put in charge of the case and they methodically arrest all who have been spying.
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A group of high-schoolers on a class trip to a wax museum become the latest victims of the evil doctor Charles Frank, who is attempting to create the perfect human being from the reanimated parts of previous unlucky patrons – reanimating an army of undead mistakes and experiments as the teens try to survive the night.
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Professional burglar Nat Harbin (Dan Duryea) and his two associates, Baylock (Peter Capell) and Dohmer (Mickey Shaughnessy), set their sights on wealthy spiritualist Sister Sarah (Phoebe Mackay), who has inherited a fortune – including a renowned emerald necklace – from a Philadelphia financier. Using Nat’s female ward, Gladden (Jayne Mansfield), to pose as an admirer and case the mansion where the woman lives, they set up what looks like a perfect break-in; even when Nat’s car is spotted by a couple of cops, he bluffs his way through, gets the necklace, and makes the getaway. But the trio – plus Gladden – can’t agree on how to dispose of the necklace, and soon their bickering becomes a lot less important than the fact that someone is on to what they’ve done – a woman (Martha Vickers) is working on Nat, while a man (Stewart Bradley) is working on Gladden. Equally serious, the trio kills a New Jersey state trooper while on their way to warn her. And among the cops chasing them is one with larceny in his heart and murder on his mind.
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Legendary detective Mike Hammer has spent seven years in an alcoholic funk after the supposed death of his secretary, Velda. He is brought back to the land of the living by his old friendly enemy, police lieutenant Pat Chambers.
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Story of two sisters that grew up in a small Serbian village in the beginning of the 1930s. The village is torn up by wars and years long blood oath. There are no men left in the village. Our heroines, Ognjenka and Mala Boginja decide to go to the city, kidnap men and return life to their village. The lights of the metropolis dazzle them and there starts this little amusing and sentimental adventure.
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The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.
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The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world, when her grandmother dies. Notwithstanding her healthy distrust of all strangers, which her upbringing instilled in her, it is not long before a cunning racketeer finds her weak point, that temptation which she cannot resist, that weakness, different as it may be, that each of us has, and brings her into his power.
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Margot, who lives in a comfortable middle class apartment, fears that she is losing her mind after having had her second child. Her husband Kurt, who is busy studying for an exam, does not understand her situation. Her mother-in-law and sister-in-law Lore are openly hostile to her. She resorts to valium and drink, and looks for sympathy, but to no avail.
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Love makes the world go round. At least that’s what Marcel and Kyle believe, until they suddenly discover that love can alternatively flip the world upside-down. When certain elements are set into motion, they tend to stay in motion. If tampered with, they can spin out of control. Marcel and Kyle are in love at first sight, and even though they can’t legally marry, they will find a way to make it work. French Marcel marries their lesbian friend Sarah so he can stay in the USA with Kyle. Together they can overcome any obstacle, hurdle any barrier. Together they cannot be stopped. Enter Kyle’s sister April, a former prostitute. She needs a place to crash, but for how long? Taking a quick dislike to Marcel, April methodically drips poison into their happiness. But where Marcel sees a conniving woman with a not-so-hidden agenda, Kyle only sees his sister – in need. And how do you choose between family and the love of your life? Why should you have to?
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Young, beautiful and intelligent, Trevor (screenwriter Brent Gorski) is in a stalemate. Entangled in an unhealthy relationship with Darrell, a self-destructive heroin addict, and trapped in a telemarketing job, Trevor finds scant comfort in Los Angeles’ vapid party scene, where conversation rarely rises above inquiries like “So, are you an actor?” Worse still, he and his two best friends – roommate Andie and singer Jake – are being pulled apart by boredom and discontent. At the hospital for his boyfriend’s latest overdose, Trevor finds a potential new beginning in Ephram, a medical intern with ambition, a warm demeanor and strikingly good looks. After they spend a romantic evening together, Trevor seems poised to make some changes. He begins by ending his relationship with Darrell and then strives to reconnect with Andie and Jake. But what should be a joyous event – a party celebrating a negative HIV test – explodes into rage and sorrow.
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