A small country on the verge of bankruptcy is persuaded to enter the 1932 Los Angeles Olympics as a means of raising money. Either a masterpiece of absurdity or a triumph of satire, depending on your mood, but it’s quite possibly the funniest movie ever made, and becomes even funnier with subsequent viewings.
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While attending an international conference which seeks to reduce the incidence of the use of torture by nations around the globe, a movie director (Jose Luis Gomez) encounters a woman (Geraldine Chaplin) whom he decides to cast in a play about state torture. As events proceed, he and the woman, the wife of a dentist, become lovers. All along, however, right-wing types have been persecuting, and the whole endeavor goes sour.
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A stage director (Raymond Rouleau) becomes the prime suspect in the death of his assistant, who may or may not have been fooling around with the director’s wife (Jeanne Moreau). The wife helps her husband hide out from the police, taking over his responsibilities in the theater. Soon she is flourishing in the world of make-believe, and she has fallen under the spell of the duplicitous rat who started all of the trouble in the first place. Saving the day is the director’s good-hearted secretary (Etchika Choureau), who has long harbored a crush on her boss.
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