Three people, Susan and Philip Ashlow and Henry Brittingham-Brett are washed ashore on a deserted island after a shipwreck. Henry is Susan’s lover. Since the island is filled with things to eat, they can concentrate on the love triangle between the men and the woman.
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Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn.
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In World War II, a group of Nazi officers come up with a propaganda event in which an all star Nazi team will play a team composed of Allied Prisoners of War in a Soccer (Football) game. The Prisoners agree, planning on using the game as a means of escape from the camp.
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An attractive reporter investigating the mysterious destruction of an Illinois town stumbles upon a secret government laboratory conducting radiation experiments on vegetables. The lead scientist is eager to help find out what happened. Together they discover that giant grasshoppers are behind the devastation. Worse yet, thousands of them are headed toward Chicago! Can they be stopped… or is this the BEGINNING OF THE END?
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Jim Piersall is groomed by his loving but hard-driving father (living vicariously through his son) to play major league baseball. His desire to succeed to please his father leads to mental illness and a nervous breakdown. Can he overcome those difficulties and return to the major leagues?
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Carroll Baker plays a dual role as translator Julie Harrison and her twin sister Mary. The serpentine plot begins as Julie tells her lawyer Dave Barton (Stephen Boyd) that Mary’s life is being threatened in London while Julie herself is being stalked by a mysterious stranger in Amsterdam.
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The plot consists of a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war and one in contemporary Poland. In each, the victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics of the day attacked the film for its depiction of a world rife with secret agents and hidden enemies – a favorite Stalinist theme – yet the film seems rather to insist on how heroism or villainy are so often matters of point of view and timing.
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An autobiographical docudrama about an attempt to remake Alain Resnais’ 1959 film Hiroshima Mon Amour.
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