As the film begins, Takao (Akira Terao) and Michiko (Kanako Higuchi) have already pulled up their Tokyo roots and moved to a village that is Takao’s ancestral home. They visit a thatched cottage that serves as a memorial shrine (amidado) for the village dead and chat with the attendant, the spry 96-year-old Oume (Tanie Kitabayashi). Together they admire the view — from an inspiring distance. Oume, it turns out, is a kind of sage, whose thoughts and observations are a popular feature in a column in a local newsletter. Her amanuensis is a mute, sweetly smiling young woman named Sayuri (Manami Konishi), who is as devoted to Oume as Oume is to the souls of her beloved dead.
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The true story of Ivan Sanchin, the KGB officer who was Stalin’s private film projectionist from 1939 until the dictator’s death. Told from Sanchin’s view, the sympathetic but tragically flawed hero maintains unwavering faith in his “Master” despite the arrest of his neighbors and his involvement with their daughter, his wife’s affair with the chilling State Security chief Lavrentii Beria and her tragic decline, and the deadly political machinations within the Kremlin he witnesses firsthand.
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Soviet soldier turned bureaucrat Igor Gouzenko is assigned to his first overseas posting in 1943 to Ottawa, Canada, as a cipher clerk for the military attaché, their offices in a secret wing of the Soviet embassy. Igor is not to tell anyone what he does for a living, he given a cover story which he is to recite even when questioned by his own people. He and his wife Anna Gouzenko are supposed to be cordial to their Canadian neighbors and associates, but not fraternize or befriend them, as they are still considered the enemy, despite both countries being on the same side in the war. Igor follows his instructions to a T, but it is more difficult for Anna, who does not have the distraction of work during the day, and who can see that their neighbors are not their enemies but good people much like themselves. Over the next few years, Igor sees that what is happening around him and the work in which he is involved will not result in a world in which he wants to raise his newborn son, …
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Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko’s husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.
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