Nieves Navarro – RareFilm

El rojo (1966) Leopoldo Savona, Richard Harrison, Nieves Navarro, Piero Lulli

rarefilm — Mon, 12 Jan 2026 11:46:11 +0000

The Sorenson family is massacred, apparently by Indians. On the site of the killing, a town, Gold Hill grows up, run by a group of businessmen. Years later, El Rojo, alias the last surviving Sorenson arrives, bringing the truth about the massacre, and revenge.

Also Known As (AKA): Rojo, O Implacável, Texas el rojo, El Rocho – Der Töter

IMDB

File Name : El Rojo.1967.mkv
File Size : 1.89 GB / 1937.88 MB
Resolution : 1024×554
Duration : 01:18:32
Video : AVC, 3 000 kb/s, 25.000 FPS
Audio : AC-3, 224 kb/s (CBR), 48.0 kHz, 2 channels, 2 streams

Quality: BRRip
Language: Italian, English (2 tracks)
Country: Italy, Spain
Genre: Drama, Western

https://nitroflare.com/view/077004BDF4661E3/El_Rojo.1967.mkv

Death Walks at Midnight (1972) Luciano Ercoli

rarefilm — Mon, 18 Nov 2024 20:48:02 +0000

Valentina, a beautiful fashion model, takes an experimental drug as part of a scientific experiment. While influenced by the drug, Valentina has a vision of a young woman being brutally murdered with a viciously spiked glove. It turns out that a woman was killed in exactly the same way not long ago and soon Valentina finds herself stalked by the same killer.

Also Known As (AKA): La morte accarezza a mezzanotte, A Morte Caminha à Meia-Noite, La mort caresse à minuit, Die eiserne Hand des Todes, La muerte acaricia a medianoche, Cry Out in Terror

IMDB

File Name : Death.Walks.at.Midnight.1972.mkv
File Size : 1989.19 MB
Resolution : 1024×436
Duration : 01:41:50

Quality: BRRip
Language: English, Italian, commentary (3 tracks)
Subs: English (embedded)
Genre: Mystery, Thriller

Death.Walks.at.Midnight.1972.mkv

Death Walks on High Heels (1971) Luciano Ercoli, Frank Wolff, Nieves Navarro, Simón Andreu, Mystery, Thriller

rarefilm — Thu, 05 Apr 2018 11:11:38 +0000

A famed jewel thief named Rochard is slashed to death on a train. His daughter Nicole, a famous nightclub performer in Paris, is questioned by the police about some missing diamonds but she claims to know nothing about this. Nicole is then terrorized by a masked man with piercing blue eyes who demands to know where her father has hidden the stolen diamonds. Suspecting that her jealous boyfriend Michel may be the man who is harassing her, Nicole and her new-found friend Dr. Robert Matthews escape to England and apparant safety. But the killer will strike again.

Also Known As (AKA): La morte cammina con i tacchi alti, A Morte Caminha de Salto Alto, Der Tod küsst Dich um Mitternacht, La muerte camina con tacón alto, Nuits d’amour et d’épouvante

Language: English, Italian (2 tracks) + Commentary ( Tim Lucas 3rd track)

Subtitles: English (embed)

Country: Italy | Ar: 2.35:1 | Brrip

Imdb

1.80GB | 107:48mins | 1280×544 | mkv

Death_Walks_on_High_Heels_1971.mkv

Emanuelle e gli ultimi cannibali / Emanuelle and the Last Cannibals (1977) Joe D’Amato, Laura Gemser, Gabriele Tinti, Nieves Navarro, Erotic, Adventure, Horror

rarefilm — Tue, 31 May 2016 09:34:10 +0000

While doing undercover work in a mental hospital, Emanuelle discovers a girl who seems to have been raised by a tribe of amazonian cannibals. Intrigued, Emanuelle and friends travel deep into the Amazon jungle, where they find that the supposedly extinct tribe of cannibals is still very much alive, and Emanuelle and her party are not welcome visitors.

The acting may be appalling, but it’s difficult to tell for sure because this is dubbed – badly. The direction, by high priest of sleaze Joe D’Amato, is adequate, but it’s the unrelenting sex and violence that float this flick’s boat.

A lot of “classic” exploitation is, in fact, incredible boring, slow moving, and beyond inept. This is not one of those. This delivers what audiences expect, and it takes the carnage several steps beyond the norm. We get nipples cut off and eaten, a vagina cut open and used as a hole to pull innards through, castration, close-to-hardcore sex, stabbings, beheadings and damn attractive women.

Laura Gemser is her usual stunning self as Emanuelle and is lovingly scrutinized in a couple of love scenes by D’Amato’s leering camera.

Some of the photography is surprisingly atmospheric and the score is memorable and moody.

The director is often criticized for his output, but I’m happy to congratulate him for a body of work that is, if nothing else, unashamedly extreme and sleazy. Franco made many more boring stinkers than D’Amato and rarely made anything that wasn’t awash with shoddy camera-work, nonsensical plotting and self-indulgent repetition. D’Amato, on the other hand, was a dedicated journeyman who gave audiences what they wanted. He wasn’t a genius by any stretch and he was sloppy with his action direction, but he did contribute to an impressive oeuvre.

“Emmanuelle and The Last Cannibals” is textbook trash.

IMDB

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