Tag Archives: Yasujirô Ozu
Nagaya shinshiroku / Record Of A Tenement Gentleman (1947) Yasujirô Ozu, Chôko Iida, Hôhi Aoki, Eitarô Ozawa, Drama
Sanma no aji / An Autumn Afternoon (1962) Yasujirô Ozu, Chishû Ryû, Shima Iwashita, Keiji Sada, Drama
In the early 60’s in Tokyo, the widower Hirayama is a former captain from the Japanese navy that works as a manager of a factory and lives with his twenty-four year-old daughter Michiko and his son Kazuo in his house.
Munekata kyôdai / The Munekata Sisters (1950) Yasujirô Ozu, Kinuyo Tanaka, Hideko Takamine, Ken Uehara, Drama
Setsuko is unhappily to Mimura, an engineer with no job and a bad drinking habit. She had always been in love with Hiroshi but both of them failed to propose when Hiroshi left for France a few years ago. Now he is back and Mariko (Setsuko’s sister) tries to reunite them. She too is secretly in love with Hiroshi.
A father and his son, a son and his father. Horikawa is a widower, a teacher, and a good father to Ryohei, who’s about 10. After a tragedy, Horikawa resigns from teaching and takes Ryohei from Tokyo to the town of Ueno, enrolling him in junior high; to the lad’s sorrow, he will be a boarder. Horikawa returns to work in Tokyo, their separation is complete. Jump ahead more than ten years: with dad’s help, Ryohei has finished college and has a teaching job in Akita. Horikawa considers living with his son, which Ryohei wants, but the elder’s notions of duty and hard work preclude it. Ryohei arranges a ten-day vacation with his father. Heartbreak comes quietly, nearly hidden by dignity.
Seishun no yume ima izuko / Where Are the Dreams of Youth (1932) Yasujirô Ozu, Ureo Egawa, Kinuyo Tanaka, Tatsuo Saitô, Comedy, Romance
In postwar Tokyo, this household is loving and serene: older parents, their 28-year-old daughter Noriko, their married son, his devoted wife, and two rascally sons. Their only discontent is Noriko’s lack of a husband. Society is changing: she works, she has women friends who tease and argue, her brother sees her independence as impudence, she sees it as normal. When her boss suggests that she marry a 40-year-old bachelor who is his friend, all the members of her family press her to accept. Without seeking their advice, and to their chagrin, Noriko determines her own course of action.