China’s enfant terrible Lou Ye returns after a five-year government ban on filmmaking with Mystery (2012), a rain-soaked melodrama set against the disconsolate mist of Wuhan’s impetuously erected industrial landscape. Opening with an explosive car crash, Ye’s latest is a tangled wreck of moral impasses and social inspection. Slicing through a sheet of unrelenting rainfall, two modified sports cars – driven by a group of insufferably affluent kids – race through the streets of the Hubei province capital. Their recklessness is dramatically halted, however, when they fail to notice a young woman who has wandered into the road.
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