Tag Archives: Steve Cochran

I Mobster (1958) Roger Corman, Steve Cochran, Lita Milan, Robert Strauss, Crime, Drama, Film-Noir

I Mobster (1958)
Joe Sante wants to be the big man, and nobody is going stand in his way. In a world full of smoke, molls, shakedowns, muscle, and murder, Joe knows what he wants and how to get it. But can he disregard his poor old immigrant parents who are ashamed of his criminal life? Will he drag his sweet girlfriend into the life of the underworld? And most importantly, can Joe trust his mobster friends?
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The Chase (1946) Arthur Ripley, Robert Cummings, Michèle Morgan, Steve Cochran, Film-Noir, Crime, Thriller

The Chase (1946)
Returning a lost wallet gains unemployed veteran Chuck Scott a job as chauffeur to Eddie Roman, a seeming gangster whose enemies have a way of meeting violent ends. The job proves nerve-wracking, and soon Chuck finds himself pledged to help Eddie’s lovely, fearful, prisoner-wife Lorna to escape. The result leaves Chuck caught like a rat in a trap, vainly seeking a way out through dark streets. But the real chase begins when the strange plot virtually starts all over again…
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The Deadly Companions (1961) Sam Peckinpah, Maureen O’Hara, Brian Keith, Steve Cochran, Western

The Deadly Companions (1961)
Sam Peckinpah’s first feature as director is this modest Western, taking place in the late 1860s. Yellowleg (Brian Keith), a former sergeant in the Union army, is obsessed with tracking down Turk (Chill Wills), a Rebel army deserter who, during the War Between the States, tried to scalp him as he lay wounded on a battlefield. Yellowleg finds Turk and his sidekick Billy (Steve Cochran) in a cantina and convinces them to help him rob a bank. They journey to Gila City, where the bank is located, and find that another group of bank robbers are also in Gila City to rob the same bank. During a shoot-out with the other bank robbers, Yellowleg accidentally kills the nine-year-old son of dance-hall hostess Kit Tilden (Maureen O’Hara). Remorseful at having caused the death of Kit’s son, Yellowleg forces Turk and Billy to accompany him through Apache territory to bury Kit’s son at the gravesite of her husband in the ghost town of Siringo. When Billy attacks Kit, Yellowleg throws him out of their camp. Then Turk deserts. As Kit and Yellowleg finally reach Siringo, Yellowleg realizes that he is in love with her. But then, Billy and Turk reappear, having robbed the bank in Gila City, leading to a final confrontation between Yellowleg and Turk.
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Raton Pass (1951) Edwin L. Marin

Raton Pass 1951
The ambitious Ann arrives with the stagecoach in Raton Pass to find herself in the midst of a feud between the Challon and the Pozner families. Ann immediately seeks out Marc Challon, a young man from the richest cattle ranch family, who is in love with Lena Casamajor. Seductively Ann works her way into Marc’s heart. Marc marries her and Ann is given deed to half the ranch by Marc’s father Pierre. When her husband brings home an even richer man (Prentice), who owns a railroad in hopes of getting him to financially back the ranch, Ann convinces Marc to leave the job to her. Instead, Ann seduces Prentice into falling in love with her also and talks him into buying out her husband. He agrees. Suddenly, Ann and Prentice find themselves totally alone as Marc and all the hands have quit the ranch. So Ann sends for the gunslinger Cy Van Cleave, she met in the past. Cy brings in his fellow outlaws and they begin to take over the cattle ranch.
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