Tag Archives: spanish subtitles

To the Ends of the Earth (1948) Robert Stevenson, Dick Powell, Signe Hasso, Maylia, Crime, Film-Noir, Thriller

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Based on the files of the United States Department of Treasury. Commissioner Michael Barrows is an American Government Agent. On board a Coast Gaurd boat off the California coast he chases a ship. The Captain of the ship, the Kira Maru, panics and ruthlessly sends 100 Chinese slaves to a watery death. Barrows recovers a live preserver that tells him the ship is out of Shanghai. He travels there to track down the ship’s captain and discovers that these deaths point to a huge drug smuggling operation. In Shanghai, while searching for the captain of the Kira Maru, he becomes suspicious of a women, Ann Grant, believing she’s Jean Hawks the narcotics ringleader. He follows the narcotics trail “to the ends of the Earth” taking him from Shanghai to Cairo, Beirut and Havana to stop the drugs and the jean Hawks ring at the US border.

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Thunder Birds (1942) William A. Wellman, Gene Tierney, Preston Foster, John Sutton, Drama, Romance, War

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On a secluded base in Arizona, veteran World War I pilot Steve Britt trains flyers to fight in World War II. One of his trainees, Englishman Peter Stackhouse, competes with Britt for the affections of Kay Saunders, the daughter of a local rancher. Despite their differences, Britt makes sure Sutton passes his training and becomes a combat pilot – even though he loses Kay to the young man in the process.

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The System (1953) Lewis Seiler, Frank Lovejoy, Joan Weldon, Robert Arthur, Crime, Drama, Film-Noir

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Gambler John Merrick (Frank Lovejoy) is the head of a bookie syndicate and the newspaper is crusading against him and the rackets, primarily because Merrick is in love with Felice Stuart (Joan Weldon), daughter of the newspaper publisher who can not break up the romance through persuasion. A senate committee investigating crime gets involved, the racketeers, other than Merrick who is a “nice guy”, strike back and kill a reporter, and Merrick’s own son, Jerry Merrick (Robert Arthur), commits suicide. Merrick, to his own disadvantage, helps bring down the syndicate. Since it is in black-and-white-, deals with crime and was an American-made film, some will call it “film noir” since that seems to be the current guidelines for putting a film in that, at one time limited-and-defined genre. It ain’t, and neither are most of the others currently so classified.

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The Shining Hour (1938) Frank Borzage, Joan Crawford, Margaret Sullavan, Robert Young, Drama, Romance

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Olivia (Crawford), a New York nightclub dancer, tires of the fast life and marries Henry Linden (Douglas), a farmer. When Olivia moves to her new husband’s farm, in Wisconsin, she encounters trouble from his domineering sister-in-law Hannah (Bainter) and his brother David, (Young), who do not approve of her. Olivia finds an ally in David’s wife, Judy (Sullavan), who is in a loveless marriage.

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The Princess and the Pirate (1944) David Butler, Sidney Lanfield, Bob Hope, Virginia Mayo, Walter Brennan, Adventure, Comedy, Romance

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Princess Margaret is travelling incognito to elope with her true love instead of marrying the man her father has betrothed her to. On the high seas, her ship is attacked by pirates who know her identity and plan to kidnap her and hold her for a king’s ransom. Little do the cutthroats know that she will be rescued by that unlikeliest of knights errant, Sylvester the Great, who will lead them on a merry, and madcap, chase.

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The More the Merrier (1943) George Stevens, Jean Arthur, Joel McCrea, Charles Coburn, Comedy, Romance

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It’s World War II and there is a severe housing shortage everywhere – especially in Washington, D.C. where Connie Milligan rents an apartment. Believing it to be her patriotic duty, Connie offers to sublet half of her apartment, fully expecting a suitable female tenent. What she gets instead is mischievous, middle-aged Benjamin Dingle. Dingle talks her into subletting to him and then promptly sublets half of his half to young, irreverent Joe Carter – creating a situation tailor-made for comedy and romance.

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She Wouldn’t Say Yes (1945) Alexander Hall, Rosalind Russell, Lee Bowman, Adele Jergens, Comedy, Romance

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Susan Lane is a gifted psychiatrist, grounded in self-control. Before returning by train to her practice in Chicago, she spends time back East with war veterans, building their self-esteem, but frowning on the impulsive, as represented by a favorite comic strip called “The Nixie.” She bumps into Michael Kent, an officer and the comic strip’s author. He likes her instantly and she dislikes him. He’s headed to the Pacific, sees her on the train, gets off in Chicago, and with her father’s help, pursues her and hatches a plan to marry her. Meanwhile, she has her own plan to get rid of him with the help of a blond patient. Will the Nixie get into her psyche?

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