Tag Archives: Sô Yamamura
Yama no oto / Sound of the Mountain (1954) Mikio Naruse, Setsuko Hara, Sô Yamamura, Ken Uehara, Drama
Joyû Sumako no koi / The Love of Sumako the Actress (1947) Kenji Mizoguchi, Kinuyo Tanaka, Sô Yamamura, Kikue Môri, Drama
The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.
Diary of a Mad Old Man / Fûten Rôjin nikki (1962) Keigo Kimura, Sô Yamamura, Ayako Wakao, Keizô Kawasaki, Drama, Comedy
Diary of a Mad Old Man is the journal of Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke. He discovers that, while his body is decaying, his libido still rages on – unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past.
Sabaku o Wataru Taiyo / The Sand City in Manchuria (1960) Kiyoshi Saeki, Sô Yamamura, Ken Takakura, Koji Tsuruta, Drama
Tora! Tora! Tora! (1970) Richard Fleischer, Kinji Fukasaku, Martin Balsam, Sô Yamamura, Jason Robards, Drama, War, Action, History
In 1941 the Japanese are at odds with the United States on a number of issues which they are attempting to resolve via their Washington embassy. In case this diplomacy fails, the military are hatching plans for a surprise early Sunday morning air attack on the U.S. base at Pearl Harbour. American intelligence is breaking the Japanese diplomatic messages but few high-ups are prepared to believe that an attack is likely, let alone where or how it might come.
Utsukushisa to kanashimi to / With Beauty And Sorrow (1965) Masahiro Shinoda, Kaoru Yachigusa, Mariko Kaga, Sô Yamamura, Drama, Romance
Long before the events of the movie Ôki, who was approaching middle age, had a relation to 16-year-old Otoko. She got pregnant, but the child was stillborn. Their relation stopped at the same time. Much later Ôki had become a famous writer, not least because of a novel about this love story. Otoko had become a famous painter. But she had never overcome the double early trauma and had become a Lesbian. Her favourite student and beloved one was the beautiful Keiko. 24 years after the early love Ôki goes from Tokyo to Kyoto to meet Otoko. The meeting is polite with secret emotional shadows. Keiko makes a plan. She intends to seduce Ôki, become pregnant, bear Ôki’s child and give it to Otoko. She hopes that Otoko may thereby get rid of her trauma. But she also wants to take her revenge on the man who had harmed her beloved. Secretly she gets acquainted with Ôki’s son, invites him to Kyoto and seduces him. Then she calls his parents and tells that he had promised to marry her.