Noriko is 27 years old and is still living with her father Somiya, a widower. Read More »
Tag Archives: Setsuko Hara
Yama no oto / Sound of the Mountain (1954) Mikio Naruse, Setsuko Hara, Sô Yamamura, Ken Uehara, Drama
The businessman Ogata Shingo works with his son Shuichi, who is his secretary, and they live together in the suburb with their wives Yasuko and Kikuko respectively. Read More »
Heres to the girls (1949) Keisuke Kinoshita, Shûji Sano, Setsuko Hara, Sugisaku Aoyama, Comedy, Romance
Keizo Ishizu (Shuji Sano), owner of a car shop in Tokyo, meets Yasuko Ikeda (Setsuko Hara), the daughter of a former aristocratic family, on a matchmaking date arranged by Mr. Sato (Takeshi Sakamoto), a regular customer. Read More »
Setsuko Hara plays Fumiko, whose unsuccessful marriage has made her become more and more cynical. When her niece, Ayako visits and complains about her own marriage, she is unsurprised. Read More »
In postwar Tokyo, this household is loving and serene: older parents, their 28-year-old daughter Noriko, their married son, his devoted wife, and two rascally sons. Their only discontent is Noriko’s lack of a husband. Society is changing: she works, she has women friends who tease and argue, her brother sees her independence as impudence, she sees it as normal. When her boss suggests that she marry a 40-year-old bachelor who is his friend, all the members of her family press her to accept. Without seeking their advice, and to their chagrin, Noriko determines her own course of action.
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Akibiyori / Late Autumn (1960) Yasujirô Ozu, Setsuko Hara, Yôko Tsukasa, Mariko Okada, Comedy, Drama
Family and friends of the late Shuzo Miwa have gathered for his annual memorial service, this one marking the seventh anniversary of his passing. Three of his long time friends – married Shuzo Taguchi, married Soichi Mamiya, and widowed Seiichiro Hirayama – have long known and admitted to each other that they have always been attracted to his widow, Akiko Miwa, who they believe has gotten even more beautiful as she has matured. The three friends take it upon themselves to find a husband for the Miwa’s now twenty-four year old daughter, Ayako Miwa, who they believe as beautiful as her mother, and who, as a pure innocent, deserves a good husband. Their self-appointed task is despite them knowing that Ayako does not want them to do so. She doesn’t want to get married, at least not yet, as she struggles with her traditional sensibilities in post-war modern Japan. Her first priority as she sees it is to take care of her widowed mother, who would be alone if she were to get married.
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Two sisters live with their father. The younger sister is embroiled in an affair and becomes pregnant. The elder sister has run away from her husband and returned with her child to her parent’s home. Both sisters are astonished when their mother, long thought dead, turns up alive. The sisters are even more stunned when they learn what their mother’s life has been.
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Anjô-ke no butôkai / The Ball at the Anjo House (1947) Kôzaburô Yoshimura, Setsuko Hara, Yumeko Aizome, Osamu Takizawa
After Japan’s loss in the war, the wealthy, cultured, liberal Anjo family have to give up their mansion and their way of life. They hold one last ball at the house before leaving. The seemingly cold, cynical son secretly grieves for his defeated father and the values that the war destroyed, while the daughter tries to prevent father from taking his life and to find her own place in the new Japan.
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