Tag Archives: Roy Ward Baker

The Snows of Kilimanjaro (1952) Henry King, Gregory Peck, Susan Hayward, Ava Gardner, Adventure, Drama, Romance, War

The Snows of Kilimanjaro (1952)
As writer Harry Street lays gravely wounded from an African hunting accident he feverishly reflects on what he perceives as his failures at love and writing. Through his delirium he recalls his one true love Cynthia Green who he lost by his obsession for roaming the world in search of stories for his novels. Though she is dead Cynthia continues to haunt Street’s thoughts. In spite of one successful novel after another, Street feels he has compromised his talent to ensure the success of his books, making him a failure in his eyes. His neglected wife Helen tends to his wounds, listens to his ranting, endures his talk of lost loves, and tries to restore in him the will to fight his illness until help arrives. Her devotion to him makes him finally realize that he is not a failure. With his realization of a chance for love and happiness with Helen, he regains his will to live.

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A Night to Remember (1958) Roy Ward Baker, Kenneth More, Ronald Allen, Robert Ayres, Action, Drama, History

a-night-to-remember-1958
On April 14, 1912, just before midnight, the “unsinkable” Titanic struck an iceberg. In less than three hours, it had plunged to the bottom of the sea, taking with it more than 1,500 of its 2,200 passengers. In his unforgettable render­ing of Walter Lord’s book of the same name, the acclaimed British director Roy Ward Baker depicts with sensitivity, awe, and a fine sense of tragedy the ship’s last hours. Featuring remarkably restrained performances, A Night to Remember is cinema’s subtlest and best dramatization of this monumental twentieth-century catastrophe.

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The Singer Not the Song (1961) Roy Ward Baker, Dirk Bogarde, John Mills, Mylène Demongeot, Drama, Western

The Singer Not the Song (1961)
During the 1950s, in a small isolated Mexican village, the local Roman Catholic priest, Father Gomez, is an older man with a broken spirit. During his tenure in the village of Quantano, he fought hard to keep his flock of parishioners, in spite of threats and intimidation from the part of local bandit Anacleto Comachi and his men. The atheistic bandit has imposed his tyrannical rule over the region for many years. The local Police cannot find any witnesses to come forward and testify to any wrongdoing from the part of Anacleto. Therefore, they cannot charge him or arrest him. The Catholic Church replaces Father Gomez with a younger, more energetic priest, Father Keogh from Ireland. Before departing the village, Father Gomez warns Father Keogh of the dangers of defying Anacleto Comachi’s authority. But Father Keogh openly defies the bandit and administers his daily priestly duties at the village church. He even manages to persuade some of the villagers to start attending church again.

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Asylum (1972) Roy Ward Baker, Barbara Parkins, Richard Todd, Sylvia Syms, Horror

The Asylum (Roy Ward Baker, 1972)
A young psychiatrist interviews four inmates in a mental asylum to satisfy a requirement for employment. He hears stories about 1) the revenge of a murdered wife, 2) a tailor who makes a suit with some highly unusual qualities, 3) a woman who questions her sanity when it appears that her brother is conspiring against her, and 4) a man who builds tiny toy robots with lifelike human heads.

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Moon Zero Two (1969) Roy Ward Baker, James Olson, Catherine Schell, Warren Mitchell, Crime, Sci-Fi

Moon Zero Two (1969)
A space salvage expert and his partner become involved with a group of criminals intent on hijacking a small asteroid made of sapphire and crashing it into the moon for later recovery. The only place that they can bring the asteroid down without drawing attention to themselves is a far side mining claim. But first they must dispose of the miner. Little known to them, however, is the fact that the miners sister has hired the same salvage team to help her locate her missing brother.

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