Tag Archives: portuguese

Dona Flor e Seus Dois Maridos / Dona Flor and Her Two Husbands (1976) Bruno Barreto, Sonia Braga, José Wilker, Mauro Mendonça, Comedy

dona-flor-e-seus-dois-maridos-1976
In a small city of Brazil, Flor (a very good looking woman) marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing. She works teaching cooking to her neighbours but he takes all her money to gamble. One day he dies. Flor misses the goods of the marriage so she marries again with a very correct gentleman – the owner of the drugstore (Teodoro). Now she’s very happy with her man, but misses the erotic moments with her previous husband. Then the ghost of Vadhino comes to earth to chase her.

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Manô (2005) George Felner, Diogo Infante, Adelaide de Sousa, Comedy, Fantasy

mano-2005
A crew of construction workers starts destroying a distant ancient film production factory, regarded as an eye sore. They burn left-over reels of old unrecognised films. Manô, an unknown and unremembered film character from the cinema popular in the forties, narrowly escapes extinction and mysteriously projects himself from a piece of celluloid film into the real world. Being a black and white mute film character, and unaware of the new Portugal that awaits him, this hilarious comical character will try to adapt and survive in the new world that surounds him in the capital of Lisbon.

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Portugal S.A. (2004) Ruy Guerra, Diogo Infante, Cristina Câmara, Henrique Viana, Drama, Thriller

Portugal, S.A. (Ruy Guerra, 2004)
Jacinto Pereira Lopes is manager of a major economic and financial group, which the State returned to its former owner. Jacinto is married to Rosa, a poor but ambitious woman, but never forgot Fatima, a beautiful and brilliant daughter of the family. To save your company, Fatima needs information on the activities of the head of Jacinto and no doubt rekindle the old flame. Jacinto tries to resist pressures in an atmosphere of family chaos, in which his wife encouraged him to be ambitious and cheating on him with other men. Feeling betrayed and used by everyone Jacinto decides to take matters into their own hands, starting to play with the same rules as others.

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Cama de Gato / Cat’s Cradle (2012) João Miller Guerra, Filipa Reis, Joana Santos, Documentary, Drama, Family

cama-de-gato-2012
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat’s Cradle, we share her with everyone else.

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Alice (2005) Marco Martins, Nuno Lopes, Beatriz Batarda, Miguel Guilherme, Drama

alice-2005
193 days have passed since Alice was seen for the last time. Every day Mário, her father, leaves home to repeat exactly the same steps he took on the day Alice disappeared. Obsessed with tracking her down he installs several video cameras to record the movement on the streets. In the middle of all those faces, of that anonymous crowd, Mário seeks a clue, a trace, a sign…The shattering grief caused by Alice’s absence turned Mário into a different person but this wilful and tragic quest is perhaps the only way he has to believe that one day Alice will reappear.

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How to Draw a Perfect Circle / Como Desenhar um Círculo Perfeito (2009) Marco Martins, Rafael Morais, Daniel Duval, Joana de Verona, Drama

how-to-draw-a-perfect-circle-aka-como-desenhar-um-circulo-perfeito-2009
In a house, the last trace of a Lisbon that has long disappeared, Guilherme and Sofia grow up sharing experiences and slowly discovering their sexuality. Guilherme, sheltered in a female universe, unable to deal with the uncorresponded love of his sister and her relationships with other boys, ends up running away. After the death of his grandmother Clara, Guilherme refugees himself in his father’s house, who is immersed in a almost autistic world, which leaves him increasingly isolated.

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