Tag Archives: portuguese subtitles

Beyond Tomorrow (1940) A. Edward Sutherland, Harry Carey, C. Aubrey Smith, Charles Winninger, Drama, Fantasy, Romance

Beyond Tomorrow (1939)
Melton, Chadwick and O’Brien, rich but lonely heads of an engineering firm, invite three strangers to dinner on Christmas Eve. Only two show up, James and Jean, they fall in love and become friends with their three benefactors…until the latter are killed in a plane crash and come back to their old home as ghosts. In the coming months, true love encounters some rough spots; can ghostly O’Brien help the young folks?

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Maihime / Dancing Girl (1951) Mikio Naruse, Sô Yamamura, Mieko Takamine, Mariko Okada, Drama

Maihime (1951)
Dancing Girl is an important transitional film, as Naruse deploys some of the flamboyant melodramatic devices that he used in the 1930s in the context of a story that is very much a postwar narrative. Elaborate, distinctive camera movements at moments of high dramatic tension tend to displace acting technique in the representation of psychological states. Used only in conjunction with the two main women characters, Namiko (Takamine Mieko) and her daughter Shinako (Okada Mariko), the camera movements now seem to detract from the emotional weight of the drama.

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Atrás das Nuvens / Behind the Clouds (2007) Jorge Queiroga, Nicolau Breyner, Ruben Silva, Sofia Grilo, Drama, Family, Fantasy

Atras das Nuvens AKA Behind the Clouds (2007)
Jorge Queiroga’s magic realist drama Behind the Clouds concerns young Paulo, a little boy bereft of his father, whose widowed mother ardently refuses to grant him permission to meet his paternal granddad. When Paulo reaches the age of 10, he expressly defies his mother’s orders by making a secret journey to his grandfather’s home, in a remote part of the country. Once there, he finds a fantastic invention: a little red car with the ability to take him soaring high into the clouds, and the added ability to send him spiraling backward in time. Alas, Paulo’s grandfather grows increasingly distraught over the time travel element, and in the process, Paulo arrives at some sobering and disillusioning realizations about the mystery surrounding his clan.

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Il bandito / The Bandit (1946) Alberto Lattuada, Anna Magnani, Amedeo Nazzari, Carla Del Poggio, Crime, Drama

Il bandito (1946)
Ernesto returns from captivity in Germany, at the end of the Second World War. And ‘only, the house destroyed, his mother died, his sister disappeared. He finds her in a brothel, during the struggle that comes with the exploiter the girl is killed and the man is driven by Ernesto in the stairwell. Wounded and chased by the police took refuge in the house of a prostitute who is the head of a gang of robbers. Become loving woman and leader of the gang, but the proceeds of the business benefits that bestows in acts comrades disapprove. One day, while with assaulting a car with accomplices, Ernesto is reported to the police by the same prostitute who wants revenge on a grievance. It could be saved, but waiver to safety to bring home the child of a former comrade who was in the car assaulted.

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Rosa de Alfama (1953) Henrique Campos, Alberto Ribeiro, Mariana Villar, Alves da Cunha, Drama, Musical, Comedy

Rosa de Alfama (1953)
Alberto Ribeiro and Mariana Villar star in a popular melodrama set in Alfama (neighborhood of Lisbon), which tells the story of a young orphan, Rosa, who was picked up by a fisherman family and raised by a widowed father with two sons Renato and José. One day, Renato, seduces and impregnates Rosa, refusing to take responsibility for his actions. And only the greatness and humanity of José, who offers to marry the girl and take the paternity of the child, could save her. Unless the birth of a child will help rescue a life of doom for Renato…

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The Fixer (1968) John Frankenheimer, Alan Bates, Dirk Bogarde, Georgia Brown, Drama

The Fixer (1968)
Set in tsarist Russia around the turn of the century and based on a true story of a Russian Jewish peasant Yakov Bok who was wrongly imprisoned for a most unlikely crime – the “ritual murder” of a Gentile child in Kiev. We witness the unrelenting detail of the peasant-handyman’s life in prison and see him gain in dignity as the efforts to humiliate him and make him confess fail.

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