Tag Archives: portuguese subtitles

The Fortune (1975) Mike Nichols, Stockard Channing, Jack Nicholson, Warren Beatty, Comedy, Crime, Romance

The Fortune (1975)
The early 1900’s with its Mann-Act (disallowing women to be transported across State lines for immoral reasons) brings a married man to devise a scheme for taking his upper-class girlfriend away with him… he simply has her marry his unmarried buddy. However, it doesn’t take very long before both men start laying claim to her affection… until, that is, she’s about to be cut out of her parent’s fortune. So, a new scheme is devised, which only adds to their problems, as well as to the sly whimsy of this film.

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Forgetting Sarah Marshall (2008) Nicholas Stoller, Kristen Bell, Jason Segel, Paul Rudd, Comedy, Drama, Romance

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Peter is a composer and a likable sad sack who’s devastated when his girlfriend of five years, Sarah Marshall, the star of a cheesy CSI-style crime show, dumps him. He weeps, he rails, he mopes. Finally, his step-brother Brian suggests Hawaii, so Peter heads for a resort on Oahu where, as he’s checking in, he sees Sarah and her new beau, Aldous, a polymorphously perverse English rocker. The weeping and moping start again, until Peter is rescued by Rachel, a thoughtful hotel clerk who invites him to a luau and to hang out. Although he constantly runs into Sarah and Aldous, Peter starts to come alive again. Will Sarah realize what she’s lost, and what about Rachel?

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When Animals Dream / Når dyrene drømmer (2014) Jonas Alexander Arnby, Sonia Suhl, Lars Mikkelsen, Sonja Richter, Drama, Horror, Mystery

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The outsider Marie lives with her parents in a remote fishing village on the north coast of Denmark. She has no one to confide in other than her work colleague Daniel, who is fascinated by her wild nature. As the two gradually become closer, Marie begins to experience strange changes to her body: Hair begins to sprout where it shouldn’t, and the young woman is increasingly overcome by an uncontrollable animalistic aggression. Marie begins to look into her hitherto hushed-up family history for answers… This atmospheric werewolf thriller from Denmark was one of the hidden gems at this year’s Cannes Festival.

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Still the Water / Futatsume no mado (2014) Naomi Kawase, Nijirô Murakami, Jun Yoshinaga, Miyuki Matsuda, Drama, Romance

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On the subtropical Japanese island of Amami, traditions about nature remain eternal. During the full-moon night of traditional dances in August, 16-year-old Kaito discovers a dead body floating in the sea. His girlfriend Kyoko will attempt to help him understand this mysterious discovery. Together, Kaito and Kyoko will learn to become adults by experiencing the interwoven cycles of life, death and love.

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Jan Saudek – Trapped By His Passions No Hope For Rescue / Jan Saudek – V pekle svých vásní, ráj v nedohlednu (2007) Adolf Zika, Jan Saudek, Sára Saudková, Documentary

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Jan Saudek, Czechoslovakia’s most famous living photographer, is the subject of this often-shocking kaleidoscopic biopic by friend and colleague Adolf Zika. With an unblinking eye, Zika chronicles the drama-filled life and work of a controversial artist who, though little-known in the United States, has enjoyed international acclaim throughout his fifty-year career.

Saudek’s hand-painted, sepia-toned portraits have a nineteenth-century veneer but a decidedly postmodern sensibility. Shooting his models both clothed and unclothed, he captures now moments of exhilarating grace, now bizarrely explicit—critics might say prurient—tableaux: A woman in a filmy white gown leads two naked girls into a grim industrial landscape. A haloed baby peers with statements over the brawny shoulders of a naked man. A nude contortionist makes like a flesh pretzel, squatting at the feet of a clothed man in an armchair. Three women dressed like bawdy-house habitués play musical instruments in one image, then appear naked, their expressions giddy and their instruments at rest, in a companion piece.

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Radio Arrow (1998) Luciano Ligabue, Stefano Accorsi, Luciano Federico, Alessio Modica, Drama

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Popular Italian rock star Luciano Ligabue made his directorial debut with this Italian drama based on Fuori e dentro il borgo, his collection of autobiographical short stories about growing up in small-town Italy of the ’70s. DJ Bruno reflects on the past, a small circle of friends, and the hopes of their generation. At the group’s core is Freccia, a heroin user until Marzia steps in to help him kick the habit. As expected, Iena marries and settles down, while unhappy Boris is a victim of his own cynicism, and Tito is driven to violence by his dysfunctional family. An older bartender listens to the group’s woes and dreams. Along with a guitar score and a closing-credits song by Ligabue, tunes of the time include ones by Iggy Pop, Roxy Music, and David Bowie. Shown at the 1998 Venice Film Festival.

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The Secret of Roan Inish (1994) John Sayles, Jeni Courtney, Eileen Colgan, Mick Lally, Drama, Family, Fantasy

The Secret of Roan Inish (1994)
10-year-old Fiona is sent to live with her grandparents in a small fishing village in Donegal, Ireland. She soon learns the local legend that an ancestor of hers married a Selkie – a seal who can turn into a human. Years earlier, her baby brother washed out to sea in a cradle shaped like a boat; someone in the family believes the boy is being raised by the seals. Then Fiona catches sight of a naked little boy on the abandoned Isle of Roan Inish and takes an active role in uncovering The Secret of Roan Inish. Written by John Oswalt. Modified by Nancy Janelle.

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Nachmittag / Afternoon (2007) Angela Schanelec, Jirka Zett, Miriam Horwitz, Drama

Nachmittag AKA Afternoon (2007)
The first shot is a static image: a view from the stage of a theatre onto the auditorium. In the foreground – and on the stage – lies a dog. A woman named Irene (Angela Schanelec), approaches it, pets it. This seems to be a rehearsal, a few people occupy seats in the auditorium, they are somewhat restless. It remains unclear whether the events being presented to us are indeed part of a rehearsal, or whether, assuming a rehearsal is indeed underway, they are merely occurring along its margins. Angela Schanelec’s film “Afternoon” never returns to this initial image, never returns to the theatre. Only later will a figure from the same scene – the one involving the woman and the dog – describe it as something she saw in the theatre. The film quits the theatre for good, and all subsequent events transpire either at a lakeside villa in Potsdam or in the streets of Berlin. And yet it becomes evident at the latest during the credits that this first scene has established a space of play that is derived from the theatre. “Afternoon” is an adaptation of Anton Chekhov’s “The Seagull” – albeit a free one.

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Sleepwalk with Me (2012) Seth Barrish, Mike Birbiglia, Lauren Ambrose, James Rebhorn, Comedy

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“I’m going to tell you a story, and it’s true…. I always have to tell people that.” So asserts comedian-turned-playwright-turned-filmmaker Mike Birbiglia directly to the viewer at the outset of his autobiographically inspired, fictional feature debut. Birbiglia wears his incisive wit on his sleeve while portraying a cinematic surrogate. We are thrust into the tale of a burgeoning stand-up comedian struggling with the stress of a stalled career, a stale relationship threatening to race out of his control, and the wild spurts of severe sleepwalking he is desperate to ignore. Based on the successful one-man show, Sleepwalk With Me engages in the kind of passionate and personal storytelling that transfigures intimate anguish into comic art.

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Salvo (2013) Fabio Grassadonia, Antonio Piazza, Saleh Bakri, Luigi Lo Cascio, Sara Serraiocco, Crime, Drama, Romance

Salvo (2013)
An assassin for the Sicilian mafia, Salvo is solitary, cold and ruthless. When he is assigned to eliminate a rival Mafia clan, he discovers Rita, an innocent blind girl who stands powerlessly by whilst over hearing her brother’s murder. What follows is an intense exchange, fuelled by adrenaline and fear between the killer and witness. The darkness is lifted from Rita’s eyes just as Salvo decides, against his violent instincts, to spare her life. From then on, both haunted by their brief encounter, attempt to navigate their dangerous next steps side by side. Winner of the 2013 Critics Week Grand Prix prize at Cannes and nominated for the BFI London Film Festival Sutherland Award for first feature, SALVO brings a renewed sensory suspense to the mafia movie with sublime cinematography and evocative soundscape. The film marks the stylishly energetic directorial debut from Fabio Grassadonia and Antonio Piazza.

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