Stefano Pasetto’s finely balanced tale of two women from different generations and very different sensibilities provides a surprising answer. Frustrated in each of their relationships, the two women get together and leave town, boldly striking out on their own and forming an indelible bond despite their many differences. This is only the beginning of a wonderfully liberating experience that defies narrative expectations.
Tag Archives: portuguese subtitles
The Burglar (1957) Paul Wendkos, Dan Duryea, Jayne Mansfield, Martha Vickers, Film-Noir, Thriller, Drama
Professional burglar Nat Harbin (Dan Duryea) and his two associates, Baylock (Peter Capell) and Dohmer (Mickey Shaughnessy), set their sights on wealthy spiritualist Sister Sarah (Phoebe Mackay), who has inherited a fortune – including a renowned emerald necklace – from a Philadelphia financier. Using Nat’s female ward, Gladden (Jayne Mansfield), to pose as an admirer and case the mansion where the woman lives, they set up what looks like a perfect break-in; even when Nat’s car is spotted by a couple of cops, he bluffs his way through, gets the necklace, and makes the getaway. But the trio – plus Gladden – can’t agree on how to dispose of the necklace, and soon their bickering becomes a lot less important than the fact that someone is on to what they’ve done – a woman (Martha Vickers) is working on Nat, while a man (Stewart Bradley) is working on Gladden. Equally serious, the trio kills a New Jersey state trooper while on their way to warn her. And among the cops chasing them is one with larceny in his heart and murder on his mind.
20,13 / 20.13: Purgatory (2006) Joaquim Leitão, Marco D’Almeida, Adriano Carvalho, Carla Chambel, Drama, Mystery, War
Mozambique, 24th of December 1969, a Portuguese army patrol return to headquarters bringing in a prisoner. A few hours later, he is found dead in his cell. Who killed him? and why? tensions grow, while an attack to the headquarters is under way…
Espelho Mágico / Magic Mirror (2005) Manoel de Oliveira, Leonor Silveira, Ricardo Trêpa, Luís Miguel Cintra, Drama, Music
Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn’t it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel’s fault. Or someone else’s. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn’t rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.
The Crimson Kimono (1959) Samuel Fuller, Victoria Shaw, Glenn Corbett, James Shigeta, Crime, Drama, Mystery
Classic, hard-to-find Sam Fuller pic is intriguing noir about two detective partners, one caucasian and one Japanese, who try to solve a complicated murder case. Unfortunately, trouble arises when along the way, both of them fall in love with the key witness!
Filmmaker Roger Nygard roams the globe to the source of each of the world’s philosophies, religions, and belief systems. He interviews spiritual leaders, scholars, scientists, artists, pizza chefs, and others who have influenced, inspired, or freaked out humanity.
Demain on déménage / Tomorrow We Move (2004) Chantal Akerman, Sylvie Testud, Aurore Clément, Jean-Pierre Marielle, Comedy
The late Belgian filmmaker Chantal Akerman brings us an intellectual comedy about a mother and daughter who find themselves living together for the first time in decades. Charlotte, a freelance writer, invites her recently widowed mother, Catherine, to live in her apartment, and the ensuing clutter becomes a source of irritation and strife. When Catherine decides to revitalize her career as a piano teacher, the claustrophobia reaches new and absurd levels. Charlotte continues to pursue her desperate quest for peace as Tomorrow We Move develops into a slyly Jewish tale of rootlessness and familial burdens.
De Mayerling à Sarajevo / From Mayerling to Sarajevo (1940) Max Ophüls, Edwige Feuillère, John Lodge, Aimé Clariond, Drama
In the late 1800’s, Franz Ferdinand, heir to the Austro-Hungarian empire, falls for Sophie Chotek, a Czech countess. He’s already a problem to the Crown because of his political ideas; this love affair with someone not of royal blood breeches protocol. The Crown allows the union only after the couple agrees to a morganatic marriage. The emperor further neutralizes Franz by making him inspector general of the army, sending him afield for months at a time. In June of 1914, fearing for his safety, Sophie seeks permission to accompany Franz to Sarajevo; protocol dictates that no army troops attend Franz while she is present. An assassin strikes. Their deaths spark World War I.
Adams æbler / Adam’s Apples (2005) Anders Thomas Jensen, Ulrich Thomsen, Mads Mikkelsen, Nicolas Bro, Comedy, Crime, Drama
Ivan is a priest in a rural church known for the apples that grow on a large tree in front. He’s odd: seeing the world through rose-colored glasses, in denial about personal facts, and convinced he’s at war with Satan. The rectory is a half-way house for recently paroled convicts. Adam arrives for 12 weeks, a large, tough neo-Nazi, first baffled by Ivan’s thick-headed optimism, then angry. He vows to break Ivan’s faith. Meanwhile, in exasperation at Ivan’s insistence, Adam sets a personal goal: to bake an apple pie. All goes awry for the tree: crows, worms, lightening. The Book of Job gives Adam perverse insight, and his hooligan mates provide the resolution’s spring.
One night in April, 1957. Nineteen-year-old Albertine escapes from prison, where she is serving time after a hold-up. She leaps from the prison wall, and in so doing, breaks a bone in her foot: the astragalus. She crawls to the road and hails down a car. She is rescued by Julien, on the run from the law, who takes her to a friend’s house in Paris to hide out. While he continues his life of petty crime in the provinces, she learns to walk again in the French capital. Julien is arrested and imprisoned. Alone and avoiding the police, who are on her tail, Albertine turns to prositution to survive and, from hide-out to hide-out, and from encounter to encounter, struggles at all cost to maintain her fragile freedom. But the physical suffering she endures is nothing compared to what Julien’s absence provokes in her body and soul..