Tag Archives: polish

Katyn (2007) Andrzej Wajda, Andrzej Chyra, Maja Ostaszewska, Artur Zmijewski, Drama, History, War

Katyn (2007)
In 1940, at the beginning of World War II, Soviet soldiers conduct a mass execution of captured Polish officers. With Hitler’s forces rapidly advancing into Eastern Europe, a surviving Polish officer, Lt. Jerzy (Andrzej Chyra), at great risk to his own life, chooses to stay behind with his wife, Anna (Maja Ostaszewska). As the Germans round up Lt. Jerzy and other officers, propaganda efforts cover up the truth about the Soviet soldiers’ shocking brutality.

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A Woman Alone / Kobieta samotna (1981) Agnieszka Holland, Maria Chwalibóg, Boguslaw Linda, Pawel Witczak, Drama

A Woman Alone (1981)
The first motion picture film by Agnieszka Holland about loneliness, longing for affection, and misfortune. Irena, a postal delivery worker, is struggling with a inadequate housing, a drunk neighbor who wants to take her place, and a heartless boss, knowing that the whole day at work, she is leaving her young son. But the worst is the loneliness, exacerbated by her single mother status. She meets a crippled pensioner Jacek, who appears to be the key to her happiness, but tragedy continues to strike.

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Speed / Lotna (1959) Andrzej Wajda, Jerzy Pichelski, Adam Pawlikowski, Jerzy Moes, Drama, War

Speed (1959)
Poland, during the World War. Lotna is a magnificent specimen of Arabian horse, the pride of her owner, too old to actually ride her but to whom she remains faithful nevertheless. The Polish cavalry army is also proud of their land, and loyal to rules, and custom. The German army is leading an overwhelming speed attack with tanks, an almost unheard of weapon, and bringing a way of life to an end. It’s the last battle between Lotna (speed horse) and Blitzkriega (speed war).

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Pan Tadeusz / Pan Tadeusz: The Last Foray in Lithuania (1999) Andrzej Wajda, Boguslaw Linda, Daniel Olbrychski, Grazyna Szapolowska, Drama, Romance

Pan Tadeusz (1999)
In the early 1810s, Poles, part of Russia’s client state of Lithuania, think independence will come if they join forces with Napoleon when he invades Russia. This unity of purpose, in one district, is undermined by two families, feuding since the head of one shot the head of the other twenty years before. There are hopes of a reconciliation through a marriage of Pan Tadeusz, a Soplica, whose father, the murderer, is in hiding somewhere, and Zosia, a teen-aged girl, a Horeszko who lives in the household of Pan’s uncle. Other cross-currents – of love, family, politics, village traditions, land reform, and what it means to be Polish – give the film texture. It’s an exile’s story.

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Landscape after Battle / Krajobraz po bitwie (1970) Andrzej Wajda, Daniel Olbrychski, Stanislawa Celinska, Aleksander Bardini, Drama, Romance

Landscape after Battle (1970)
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

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