The film is set in a terrorizing world of the future, where technology commands the movements of individuals, supervised by the doctors, carrying out a program to improve the human race. Thus, instead of doctors creating a monster, the monsters are already there as the species of the future – but one of them is suspected by the doctors of being a human being. That is Golem in reverse.
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Tag Archives: polish
Rok spokojnego slonca / Year of the Quiet Sun (1984) Krzysztof Zanussi, Maja Komorowska, Scott Wilson, Hanna Skarzanka, Drama, Romance, War
Shortly after WWII an American soldier (Norman) and a Polish refugee (Emilia) fall in deep love. Eventually he will return to USA and both expect that she will soon follow him. Emilia’s mother is sick but would recover by available medicine. Somehow the mother but not Emilia knows that there will only be one ticket. Realising that Emilia would never abandon her, the mother secretly throws away the daily doses given her by Emilia – and dies. Somehow Emilia discovers her mother’s sacrifice and refuses to benefit from it. She gives the ticket to a female friend and retreats to a cloister, living like the nuns except not wearing their dress and not having given a promise to stay forever. For decades she will apparently live in peace. Then a nun tells her that Norman has died and has bequeathed his fortune to Emilia. The nun suggests that Emilia gives the money to the cloister. But from that moment Emilia’s religious devotion flies away. She only thinks of going as speedily as possible to …
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Psy / Dogs (1992) Wladyslaw Pasikowski, Boguslaw Linda, Marek Kondrat, Cezary Pazura, Action, Crime, Drama
In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all the privileges. Some, like Franz, are like ordinary police fighting against drug dealers. But Franz would soon find that some of his friends are on the other side.
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Popioly (1965) Andrzej Wajda, Daniel Olbrychski, Boguslaw Kierc, Piotr Wysocki, Drama, War
Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon’s side with the hopes of Poland’s revival.
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Panna Nikt / Miss Nobody (1996) Andrzej Wajda, Anna Wielgucka, Anna Mucha, Anna Powierza, Drama
A devout Catholic peasant girl is corrupted by two new friends when her family moves to the city. An allegory of traditional Polish values under threat from materialism and decadence in the post-Communist era.
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Pociag / Night Train (1959) Jerzy Kawalerowicz, Lucyna Winnicka, Leon Niemczyk, Teresa Szmigielówna, Drama, Mystery, Thriller
Two strangers, Jerzy (Leon Niemczyk) and Marta (Lucyna Winnicka), accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. While handsome, well dressed and rather laconic, Jerzy seems ill at ease, while Marta is not talkative and would prefer to be alone. Staszek (Zbigniew Cybulski) is a student and Marta’s spurned lover, and will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit.
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Krótki film o milosci / A Short Film About Love (1988) Krzysztof Kieslowski, Grazyna Szapolowska, Olaf Lubaszenko, Stefania Iwinska, Drama, Romance
An obscured thief breaks into a school gymnasium at night to steal a portable telescope from the science lab. On the following morning, the thief, Tomek (Olaf Lubaszenko) sets up the telescope on his desk, facing the window of his room, and across the courtyard into an adjacent apartment. Later in the day, an attractive, hurried woman named Magda (Grazyna Szapolowska) stops by the post office in order to claim a money order after receiving a notification in her mailbox, only to be informed by the attentive young postal clerk, Tomek, that there is nothing being held at the station on her behalf. Back home, Tomek sets his alarm clock to 8:00 pm, the approximate time of Magda’s return home.
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Krótki film o zabijaniu / A Short Film About Killing (1988) Krzysztof Kieslowski, Miroslaw Baka, Krzysztof Globisz, Jan Tesarz, Crime, Drama
Death from the very beginning – a rat decomposing in the water, a cat hanging from a railing as giggling children run off. In Krzysztof Kieslowski’s expansion of the Decalogue: Five segment (“Thou shalt not kill”), the commandment bounds individual and governmental killing into one object of anguished contemplation.
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Walkower / Walkover (1965) Jerzy Skolimowski, Aleksandra Zawieruszanka, Krzysztof Chamiec, Drama, Sport
Jerzy Skolimowski’s second feature (and first full-length narrative) cemented his status as a one-man Polish New Wave, with the rhythms of his films influenced as much by jazz and (his own) poetry as by more conventional storytelling. Skolimowski himself plays a dropout-turned-amateur boxer who’s distracted from his bouts when Teresa (Aleksandra Zawieruszanka), an old university friend, re-enters his life.
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Dekalog / The Decalogue (1989-1990) Krzysztof Kieslowski, Artur Barcis, Olgierd Lukaszewicz, Olaf Lubaszenko, Drama
The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part epic masterpiece, Decalogue, Krzysztof Kieslowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.
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Ostatni dzien lata / The Last Day of Summer (1958) Tadeusz Konwicki, Irena Laskowska, Jan Machulski, Drama, Romance
There is something vaguely mythical to the manner in which Konwicki introduces his characters, both to us and to each other, lapped as much by the ethereal eeriness of the score as by the seaside winds that send their hair aflutter. When they tend to speak to each other in whispers, it seems almost out of respect for the otherworldly aura of their locale, as though it is to their eyes as improbably beautiful as Konwicki’s camera renders it to us. They—referred to in the credits only as “He” and “She”, mysterious and mythical in themselves—do not whisper much; there’s a clear silent heritage at work here, conferring meaning to the motion of faces and the movement of the camera along this spectral shore.
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Na srebrnym globie / On the Silver Globe (1988) Andrzej Zulawski, Andrzej Seweryn, Jerzy Trela, Grazyna Dylag, Adventure, Fantasy, Sci-Fi
A small group of cosmic explorers, including a woman, leaves Earth to find freedom and start a new civilization. They do not realize that within themselves they carry the end of their own dream. They eventually die one by one, while their children revert to a primitive native culture, creating new myths and a new god. Some time later, a space bureaucrat, running from a broken heart, arrives and finds the colonizer’s descendants enslaved by bird-monsters called Cherns. Society is divided into numerous classes, and everyone is waiting for the arrival of a messiah. The newcomer is considered a suitable candidate, and for some time he lives as a god. In the end he is crucified by his people.
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Austeria / The Inn (1982) Jerzy Kawalerowicz, Franciszek Pieczka, Wojciech Pszoniak, Jan Szurmiej, Drama, War
Austeria takes place during the opening days of World War I, in the Austro-Hungarian province of Galicia. Tag (Franciszek Pieczka) is a Jewish innkeeper whose inn (austeria means inn in the local Polish dialect) is located near the border with Russia. War has broken out and local civilians are fleeing the advancing Russian Army, and several groups of refugees have taken shelter in Tag’s inn for the night. A group of Hassidic jews from the neighboring village arrive, followed by an Austrian baroness on and a Hungarian hussar cut off from his unit…
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Sanatorium pod klepsydra / The Hourglass Sanatorium (1973) Wojciech Has, Jan Nowicki, Tadeusz Kondrat, Irena Orska, Drama, Fantasy
The film depicts its protagonist, Joseph (Jan Nowicki), traveling through a dream-like world, taking a dilapidated train to visit his dying father in a sanatorium. When he arrives at the hospital, he finds the entire facility is going to ruin and no one seems to be in charge, or even caring for the patients. Time appears to behave in unpredictable ways, reanimating the past in an elaborate artificial caprice.
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Umarla klasa / Dead Class (1977) Andrzej Wajda, Tadeusz Kantor, Maria Kantor, Zofia Kalinska, Documentary, Drama
The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production – performed to great critical acclaim, but only rarely seen live by audiences outside Poland – was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
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