Tag Archives: Poland
Pozegnania / Farewells (1958) Wojciech Has, Maria Wachowiak, Tadeusz Janczar, Gustaw Holoubek, Drama, Romance
The story takes place before World War II and centers on Pawel, a member of a conservative, middle-class family, and his love for Lidka, a taxi dancer. Social conventions and the lovers’ inability to defy those forces Pawel and Lidka benefit. Times change, war breaks out, leading to Pawel sent to Auschwitz while Lidka marry his cousin. Their love has survived and conventions are no longer the issue.
Zloto / Gold Dreams (1962) Wojciech Has, Wladyslaw Kowalski, Krzysztof Chamiec, Barbara Krafftówna, Drama
Wspólny pokój / One Room Tenants (1960) Wojciech Has, Halina Buyno-Loza, Boguslaw Danielewski, Krystyna Feldman, Drama
The lives of several one room tenants in Warsaw’s Old Town. All the young roommates – a poet, a student, a writer, a left-wing activist – have to face difficulties in finding a place for themselves in early 1930s reality.
A father searches for his son, who has been missing since WW II, in post-war Poland. In his quest for the truth about his son, the father is forced to contemplate the elusive and coded nature of truth itself.
I Hate Mondays / Nie lubie poniedzialku (1971) Tadeusz Chmielewski, Kazimierz Witkiewicz, Zygmunt Apostol, Bogusz Bilewski, Comedy
Der Dibuk / The Dybbuk (1937) Michal Waszynski, Avrom Morewski, Ajzyk Samberg, Mojzesz Lipman, Drama, Fantasy
In a Polish shtetl, two young men who have grown up together betrothe their unborn children, ignoring the advice of a mysterious traveler not to pledge the lives of future generations. Soon after, one of them dies, and the wife of the other dies in childbirth. The children grow up in different towns, without ever knowing of the betrothal, but the power of the vow leads them to meet each other when they are marriageable. The young woman, Leah, is promised to another man, but Channon, the son of the father who died, is a practitioner of mysticism, and seeks to win his bride through sorcery.
Censored by the Polish authorities, this film was reedited and new footage added. It begins with a sci-fi motif: abstract images and electronic music take the viewer from ruins of Lebanon to the set of Voelker Schloendorf “The Forgery” where Skolimowski plays a lead role. Another shift takes us to London, where Skolimowski shoots a street scene. There are also shifts into the past with the old footage, featuring a score of Polish actors in a setting resembling Kantor’s experimental theatre.
A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secret can be concealed. Successive admirers arrive at the pre-war tenement where the women live, but Sabina is interested in none of them. One day, appearing out of nowhere, comes the charming, intelligent, and terribly good-looking Bronislaw. His presence will spark off a series of unexpected events revealing the darker side of the women’s nature.