Tag Archives: Pier Paolo Pasolini

Il Decameron / The Decameron (1971) Pier Paolo Pasolini, Franco Citti, Ninetto Davoli, Jovan Jovanovic, Comedy, Drama, History

il-decameron-aka-the-decameron-1971
An adaptation of nine stories from Bocaccio’s “Decameron”: A young man from Perugia is swindled twice in Naples, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister’s lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend’s wife; and two friends make a pact to find out what happen= s after death. Pasolini is up to his old tricks satirizing the Church, and throwing in liberal doses of life and love.
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Accattone (1961) Pier Paolo Pasolini, Franco Citti, Franca Pasut, Silvana Corsini, Drama

accattone-1961
In a seedy section of Rome, Vittorio Cataldi – “Accattone” (“beggar” in Italian) to those that know him – lives off the avails of prostitution, Maddalena being his one and only girl. He is married to Ascenza with who he has one young son named Iaio, but he does not live with them – they who live with her father and brother – provide for them, or play any important part of their lives. He generally hangs out with his similarly slack life friends playing cards and drinking. His source of income is threatened when Maddalena is injured being hit by a motorcyclist, then beaten by rivals of his, which leads to her being arrested and jailed for a year. Largely because of Iaio, Accattone contemplates going straight and getting a real job. Then he meets Stella, a young innocent woman who has had a hard life, but who is not as naive to the ways of the world as she first appears. Accattone falls in love with her, but as the thought of working a steady job now becomes abhorrent, contemplates …
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Mamma Roma (1962) Pier Paolo Pasolini, Anna Magnani, Ettore Garofolo, Franco Citti, Drama, Art-house

Mamma Roma (1962)
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution. She brings her teenage son Ettore (Ettore Garofolo), who was raised alone in the country, to live with her, and Ettore becomes her pride and joy. However, the boy that does not want to study or work, joins to idle friends, has a crush on a bitch, and Mamma Roma uses her best but limited efforts to straight Ettore and make him an honest man. However, her past haunts her with tragic consequences.
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Arabian Nights / Il fiore delle mille e una notte (1974) Pier Paolo Pasolini, Ninetto Davoli, Franco Citti, Franco Merli, Comedy, Drama, Fantasy, Erotic

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In this film inspired by the ancient erotic and mysterious tales of the Middle East, the main story concerns an innocent young man who comes to fall in love with a slave who selected him as her master. After his foolish error causes their separation, he travels in search of her. Various other travelers who recount their own tragic and romantic experiences include stories of a young man who becomes enraptured by a mysterious woman on his wedding day, and a man who is determined to free a woman from a demon.
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Requiescant (1967) Carlo Lizzani, Lou Castel, Mark Damon, Pier Paolo Pasolini, Western

Requiescant (1967)
In the post-Civil War West, a young boy is rescued from a massacre by Protestants who instill the value of pacifism in the young boy. But it’s only when he chases after his missing step-sister that he discovers a skill for gunslinging, takes on the name Requiscant, and re-enters the world of violence denied to him as a child. This spaghetti Western also includes a cameo from director Pier Paolo Pasolini as a renegade priest.
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