Tag Archives: Persian
Asbe du-pa / Two-Legged Horse (2008) Samira Makhmalbaf, Ziya Mirza Mohamad, Haron Ahad, Gol-Ghotai, Drama
A father who has a young son with one leg and no other household members must go to India for some weeks. He hires another boy for a dollar a day to carry the son around on his back, to the school or to whatever whims may occur to the son. Actually the son is so skilled in jumping at really great speed, that he does not need any help or any “horse”. The son’s whims include not only verbal and physical abuse, but also repeated “horse fights” where “the horse” will continually be knocked down. Even “the horse’s” tender feelings for a child girl beggar are exploited and mocked. Because of the brutal and degrading treatment “the horse” will become more and more similar to a real horse.
Abbas Kiarostami: A Report (2013) Bahman Maghsoudlou, Kurosh Afsharpanah, Shohreh Aghdashloo, Godfrey Cheshire, Documentary, History
An analysis of the style and vision of Abbas Kiarostami, the world’s most iconic Iranian filmmaker, through the lens of his earliest work, including his first short film (Bread & Alley, 1970) and, particularly, his first feature, The Report. This early example of Kiarostami’s work gives insight into his poetic, humanistic tendencies, combining allegorical storytelling with a documentary, neo-realist sensibility, and often exploring the very nature of film as fiction, that have pervaded his work ever since, including such recent international sensations as A Taste of Cherry and Certified Copy. Exclusive interviews with film critics, historians and scholars (including the late great Andrew Sarris) and those directly involved in the making of The Report provide a look at how the career of this master independent auteur began and was shaped.
Be khatere Hanie / For the Sake of Haniyeh (1994) Kiumars Poorahmad, Mahvash Afsharpanah, Rahim Hoodi, Ali Ghorbani, Drama
The skipper goes to the sea with 14 other man to catch fish. However, all execept the skipper are drowned and the people blame the skipper for the death of their dear ones. Meanwhile, Haniyeh, the skipper’s little daughter is paralysed and the skipper and his family leave Tangak for Bushehr…
Sara is the perfect young housewife, eager to serve. When husband Hessam requires an expensive emergency operation abroad, it is she who get the funds. For the next three years, it is Sara, labouring secretly to pay the shady loan and save Hessam’s manly pride. Until the truth is revealed and with it, the reality of her marriage.
Rang-e khoda / The Color of Paradise (1999) Majid Majidi, Hossein Mahjoub, Mohsen Ramezani, Salameh Feyzi, Adventure, Drama, Family
Mohammad, a boy at Tehran’s institute for the blind, waits for his dad to pick him up for summer vacation. While waiting, he realizes a baby bird has fallen from its nest: he chases away a cat, finds the bird, climbs a tree, and puts it back. His father finally comes and takes him to their village where his sisters and granny await. The lad is a loving student of nature and longs for village life with his family, but his father is ashamed of him, wanting to farm the boy out to clear the way for marriage to a woman who knows nothing of this son. Over granny’s objections, dad apprentices Mohammad far from home to a blind carpenter. Can anything bring father and son together?
Ejareh-Nesheenha / The Lodgers / The Tenants (1986) Dariush Mehrjui, Akbar Abdi, Ezzatolah Entezami, Farimah Farjami, Comedy
Marzieh is a young female actress living in Tehran. The authorities ban her theatre work and, like all young people in Iran, she is forced to lead a secret life in order to express herself artistically. At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.
Syngué sabour, pierre de patience / The Patience Stone (2012) Atiq Rahimi, Golshifteh Farahani, Hamid Djavadan, Hassina Burgan, Drama, War
Author Atiq Rahimi’s adapts his own bestselling novel about a Muslim woman whose paralyzed husband unconsciously assumes the role of syngué sabour, which shields her from the sorrows of life in her war-torn village. Her unnamed Middle Eastern country caught up in the insurrection, the loyal, thirty-something wife faithfully sits watch over her vegetative husband, who has been all-but forgotten by his brothers and fellow Jihadists. Over time, she gathers the courage to tell her husband all of the things she had remained silent about during their 10 years of marriage. Throughout the course of their conversations, she speaks frankly of the disappointments, sorrows, and sacrifices that have made her life so difficult throughout the previous decade.