Maria (Marianne Rémont), a beautiful young woman, runs away from home with her older lover Read More »
Tag Archives: Paul Muller
Two Nights with Cleopatra AKA Due notti con Cleopatra (1954) Mario Mattoli, Sophia Loren, Alberto Sordi, Paul Muller
Cleopatra is a beautiful woman but has a small flaw: when she likes an officer of the guard Read More »
Miracles Still Happen AKA I miracoli accadono ancora (1974) Giuseppe Maria Scotese, Susan Penhaligon, Paul Muller, Graziella Galvani
The true story of Juliane Koepcke, the seventeen-year-old schoolgirl who survived Read More »
Eugenie de Sade AKA Eugénie (1973) Jesús Franco, Soledad Miranda, Paul Muller, Andrea Montchal
Eugenie, a beautiful but shy young girl, has been living with her stepfather, Albert since her mother died when she was a baby. Read More »
Nightmare Castle AKA Amanti d’oltretomba (1965) Mario Caiano, Barbara Steele, Paul Muller, Helga Liné
A sadistic count tortures and murders his unfaithful wife and her lover, then removes their hearts from their bodies. Read More »
Love Hate (1971) Jean-Pierre Mocky, Marion Game, Paul Muller
A prisoner escapes and kidnaps a woman with her he falls in love. He’s involved in a bad business where politicians and underworld are leading the dance. Read More »
Nightmares Come at Night (1970) Jesús Franco, Diana Lorys, Paul Muller, Jack Taylor
In Zagreb, the striper Anna de Istria works in a sleazy cabaret. She is seduced by the blonde Cynthia Robins that invites her to move to her house. Read More »
Barbed Wire Dolls / Frauengefängnis (1976) Jesus Franco, Lina Romay, Paul Muller, Monica Swinn, Crime, Drama, Horror, Erotic
Maria (Lina Romay) is sentenced to life in prison for the murder of her sexually abusive father (Jess Franco). Upon her arrival at the prison, she meets the cold-blooded, sadistic wardress (Monica Swinn) and the spineless and equally sadistic Dr. Costa (Paul Müller). Together the two systematically torture and abuse the inmates, including Maria, who organizes a plan to rebel and escape. This ‘plot’ serves as an excuse for Franco to depict countless scenes of laughable violence and sordid sex, including lesbian trysts, rape, and female masturbation, with the director’s wild zoom lens performing close-up gynaecological examinations whenever possible.
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