A 14 year old girl and a 41 year old friend of her father’s fall in love, and soon their relationship grows into a sexual one as well. For some time all is happy, but then the tension grows too much, because of the secrecy and frustration of being the lover of a married man, and because she feels he starts to treat her too much like a child instead of a lover.
Tag Archives: Netherlands
Ingrid is blind. She lives with her husband Morten. As soon as he is out of the house, she sits at the window with a cup of tea listening to the radio or to the sounds that surround her. Ingrid’s fear of leaving the apartment grows. She suspects that her husband sometimes stays at home secretly in order to observe her. Or perhaps he chats online with a mistress whilst sitting next to her in bed, pretending to answer business mails. Einar has a penchant for internet porn and women with long hair but he’s too shy to approach anyone. Elin lives opposite him and has nobody to call her own except for her child, who spends most of the time with its father. Ingrid’s life is connected to the lives of Einar and Elin. They seem to share some of her fears and at one point even her blindness. Ingrid is aware of Einar’s and Elin’s sexual desires and Elin is familiar with Ingrid’s preferences. Or are these two just figments of Ingrid’s imagination? Blind is an experiment: how important is sight for a visual medium?
Nisantasi is a classy Istanbul residential district. Its inhabitants may be rich and beautiful but they are not necessarily happy. This is the case for 52-year-old architect Can and his wife Ela, an artist who is already past her creative prime. Their daughter Nil has left home to study in Ankara. Left to their own devices, the couple realise that their passion for each other is not what it once was. Nonetheless they both feel secure in the safe harbour of a marriage which places no demands for critical questions or complex explanations. One day, Ela happens to overhear her husband talking on the phone. Director Asl? Özge sketches the story of a lost love, filmed in desaturated colours and fashionably cool interiors which emphasise the emptiness that lies hidden beneath the surface. Caught in a thick web of lies, alienation and loneliness, the film’s protagonists appear to have made that typical middle-class mistake of sacrificing their personal lives on the altar of their careers.
König der Diebe / King of Thieves (2004) Ivan Fíla, Lazar Ristovski, Iakov Kultiasov, Katharina Thalbach, Drama
Two amateur circus kids from a poor Ukrainian village, ten-year-old Barbu and his older sister Mimma, are sold to a circus artist called Caruso who promises them a career in the West. Caruso smuggles them to Berlin and separates them from each other. Mimma is sold to prostitution, while Barbu is taught to snatch purses together with an older Albanian boy Marcel. Barbu finds out about Mimma’s fate and decides to free her from the brothel.
An idealistic Dutch colonial officer posted to Indonesia in the 19th century is convinced that he can make the kinds of changes that will actually help the local people he is in charge of, but circumstances soon make him realize just how out of touch he really is, and it doesn’t take long for things to go from bad to worse.
Thirty Two Short Films About Glenn Gould (1993) François Girard, Colm Feore, Derek Keurvorst, Katya Ladan, Biography, Drama, Music
As the title suggests, this dramatised documentary about the eccentric Canadian pianist Glenn Gould is broken up into thirty-two short films (mirroring the thirty-two part structure of Bach’s ‘Goldberg Variations’, the recording that Gould made famous), each giving us an insight into some aspect of Gould’s life and career. Out of respect for the music lead actor Colm Feore is never seen playing the piano, merely reacting to Gould’s own recordings, which are extensively featured.
Frailer tells the story of an actress playing a part that reflects her real life story. Whilst playing a woman dying of cancer, Muis her doctor tells her she has not much more time left. She will die soon. The film follows the transition of her and her film sisters, shifting from their characters to who they really are, actresses dealing with their friend upcoming death. We watch Leonoor become physically frailer but mentally stronger as she is slowly accepting her faith. Whilst ending the film, she leaves her film sisters, her real life husband and children but also the viewer, behind forever.