Tag Archives: Nancy Allen
A homicidal maniac is on the loose, killing motorists at random in his “death car” – after losing his brother to the twisted assassin “Skull”, Rick Benten becomes a vigilante, and takes it upon himself to hunt down the reckless drivers that fill the streets at night.
The Buddy System (1984) Glenn Jordan, Richard Dreyfuss, Susan Sarandon, Nancy Allen, Drama, Comedy, Romance
A quiet school truant officer, Joe, uncovers a young boy’s attempt to fake a residential address, and subsequently gets involved romantically with the boy’s mother. The truant officer waffles between a sadistic relationship with his on-again, off-again girlfriend and the mother. When one of the officer’s inventions takes off, he chooses the girl and shatters the friendship with the boy and his mother. Only at the last possible moment does he figure out what he’s sacrificed, and attempts to get it back.
Dressed To Kill (1980) Criterion Collection, Brian De Palma, Michael Caine, Angie Dickinson, Nancy Allen, Mystery, Romance, Thriller
One of Brian De Palma’s most divisive films, Dressed to Kill is a spine-chilling Alfred Hitchcock update for the late 1970s. Sexually frustrated wife and mother Kate Miller (Angie Dickinson) visits her New York psychiatrist, Dr. Elliott (Michael Caine), to complain about her unfulfilling erotic life. When she then goes to meet her husband at a museum, she meets an anonymous man whom she follows out to a cab. After an afternoon of satisfying sex, Kate discovers that the man has a venereal disease, but that information becomes a moot point when a razor-wielding blonde woman slashes Kate to ribbons in the elevator of the man’s building. Blonde prostitute Liz (Nancy Allen), who caught a glimpse of the murderer, becomes both the prime suspect and the killer’s next target. With the police less than willing to believe her story, Liz joins forces with Kate’s son Peter (Keith Gordon) to get the psychopath themselves.
In the enthralling Blow Out, brilliantly crafted by Brian De Palma, John Travolta gives one of his greatest performances, as a movie sound-effects man who believes he has accidentally recorded a political assassination. He enlists the help of a possible eyewitness to the crime (Nancy Allen), who may be in danger herself, to uncover the truth. With its jolting stylistic flourishes, intricate plot, profoundly felt characterizations, and gritty evocation of early-1980s Philadelphia, Blow Out is an American paranoia thriller unlike any other, as well as a devilish reflection on moviemaking.