An educated woman, with good prospects falls in love with an oceanographer. Read More »
Tag Archives: Marlène Jobert
The Wonderful Crook AKA Pas si méchant que ça (1975) Claude Goretta, Marlène Jobert, Gérard Depardieu, Dominique Labourier
A manufacturer of furniture sees his business go down and decides to rob banks to pay his staff. Read More »
A Dangerous Toy AKA Il giocattolo (1979) Giuliano Montaldo, Nino Manfredi, Marlène Jobert, Arnoldo Foà
A meek book-keeper (Vittorio) brings on his squalid life, which is interrupted when he becomes friend with a policeman (Sauro). Read More »
Rider on the Rain AKA Le passager de la pluie (1970) René Clément, Charles Bronson, Jill Ireland, Marlène Jobert
A beautiful young woman in the South of France is raped by a mysterious masked assailant. Read More »
Last Known Address AKA Dernier domicile connu (1970) José Giovanni, Lino Ventura, Marlène Jobert, Michel Constantin
Police inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. Read More »
Mad Enough to Kill (1975) Yves Boisset, Marlène Jobert, Tomas Milian, Thomas Waintrop
Julie Ballenger has spent the last five years in a psychiatric clinic. Read More »
We Won’t Grow Old Together (1972) Maurice Pialat, Marlène Jobert, Jean Yanne, Christine Fabréga
Jean has been married to Francoise for years, but his relationship with his wife has been all but over for a long time. Read More »
Masculine, Feminine: In 15 Acts (1966) Jean-Luc Godard, Jean-Pierre Léaud, Chantal Goya, Marlène Jobert
Paul is young, just demobbed from national service in the French Army, and dishillusioned with civilian life. Read More »
The Good and the Bad (1976) Claude Lelouch, Marlène Jobert, Jacques Dutronc, Brigitte Fossey
The story takes place in France from 1935 to 1945 where a gang use a Citroën car to hold up stores and banks. Read More »
La décade prodigieuse / Ten Days Wonder (1971) Claude Chabrol, Anthony Perkins, Michel Piccoli, Marlène Jobert, Mystery, Drama
Anthony Perkins, a young sculptor with a weird penchant for waking up in strange hotels with his memory wiped clean and bloodied hands, invites a former professor (Michel Piccoli) to the Gatsby-like provincial manor presided over by his powerful tycoon father (Orson Welles). Welcomed by Welles’ young wife (Marlene Jobert), Piccoli soon finds a nest of rats beneath the bourgeoisie voluptuousness — a clan bound in a circle of illicit romance, blackmail, faked burglaries and, of course, murder.
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