Tag Archives: Korean
Tae-Il (Hwang Jung-Min) lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. For the first time in his life falls in love. The woman’s name is Ho-Jung (Han Hye-Jin).
Bok-Soon (KIM Go-Eun) runs a street stall while taking care of her younger sister. Bok-Soon may not be the brightest girl but what she lacks in intelligence, she makes up for in uncontrollable rage. She’s infamously known as the ‘psycho bitch’ in her neighborhood. Bok-Soon’s relatively peaceful life with her sister is disrupted when they cross paths with a serial killer named Tae-Soo (LEE Min-Ki). Tae-Soo kills Bok-Soon’s sister because she may have stumbled upon the truth of his murderous lifestyle. Bok-Soon’s rage consumes her completely, leading her to plot her revenge on Tae Soo. Meanwhile, Tae-Soo vows to tie up his only loose end-Bok-Soon. Bok-Soon’s descent into revenge and electrifying struggle with Tae-Soo culminates in a riveting conclusion. Who will emerge alive: hot-blooded Bok-Soon or cold-hearted Tae-Soo?
Salinma / A Devilish Homicide (1965) Yong-min Lee, Ye-chun Lee, Geum-bong Do, Ae-ran Jeong, Horror, Thriller
Lee Jae-sueui nan / The Uprising (1999) Kwang-su Park, Eun-ha Shim, Jung-jae Lee, Gye-nam Myeong, Drama
In the late 19th century Catholicism was gaining a foothold on Jeju island, much to the horror of the Confucian community, who were seeing their influence diminishing as well as getting increased taxes from Catholic-friendly government officers. The conflict became a religious war that resulted in a rebel Confucian army massacring hundreds of Christians in little more than a matter of days. The Uprising details the events leading up to the assault, focusing on the story of Yi Jae-su, the young man destined to become the leader of the rebel army.
Keulraesik / The Classic (2003) Jae-young Kwak, Ye-jin Son, In-seong Jo, Seung-woo Cho, Drama, Romance
Shy Ji-hae’s friend is having problems expressing her feelings to the boy she loves, so she asks Ji-hae to write e-mails to him in her name. As the boy falls in love with her letters, Ji-hae discovers the story of her mother’s romance which is remarkably similar to her own circumstances.
Young Jinhee is taken by her father to an orphanage near Seoul. He leaves her there never to return, and she struggles to come to grips with her fate. Jinhee desperately believes her father will come back for her and take her on a trip. The film is based on the experiences of the director, an ethnic Korean who was adopted by a French couple in the 1970s.
Hae anseon / The Coast Guard (2002) Ki-duk Kim, Dong-gun Jang, Jeong-hak Kim, Ji-a Park, Action, Drama, War
At South Korea’s border with the North, troops guard the coast. Each bullies those ranking beneath him; tensions are high. PFC Kang and his friend Private Kim are on patrol when drinking youths jeer them. Two nights later, Kang follows orders, opening fire at a person who has infiltrated the border zone. It proves to be a young man, one from the earlier encounter, on a drunken tryst with his girlfriend, Mi-yeong. Kang is commended, yet horrified. Mi-yeong is unhinged. Kim tries to hold onto friendship, duty, and his humanity. While Kang retreats into bizarre behavior and violence, Mi-yeong becomes easy prey to soldiers. Sickness is all.
Bin-jip / 3-Iron (2004) Ki-duk Kim, Seung-yeon Lee, Hyun-kyoon Lee, Hyuk-ho Kwon, Crime, Drama, Romance
The lonely and silent rider Tae-suk breaks in empty houses and lives a normal life while the owners are traveling. He does not steal anything and moves from house to house without any loss other than food, and he cleans the houses, provides small repairs or washes some clothes to pay for the hospitality. When he enters in the house of Sun-hwa, he does not see the woman that is wounded in her room after being beaten up on by her abusive husband Min-gyu Lee. Tae-suk helps the hurt woman and when Min-gyu returns, he hits the husband with golf balls and Sun-hwa leaves her husband with Tae-suk on his motorcycle. When they break in the house of an old man, they find that the man is dead and Tae-suk provides funeral service for him. However, his son returns and Tae-suk and Sun-hwa are arrested by two abusive police detectives. He is sent to prison and Sun-hwa is forced to return home. But she never forgets him.
The specifically Korean tradition that is reclaimed in Sopyonje is the type of folk-song known as pansori, described as a musical sublimation of South-West Korea’s collective grief and suffering – in other words, a kind of blues. The film’s three central characters are itinerant pansori singers in the 1950s, a time when many aspects of Korean culture came under siege from Japanese and western influences. The story unfolds through flashbacks. A man named Dong-ho is roaming the rural hinterlands, ostensibly to find rare herbal medicines for his employer back in Seoul, but actually in search of Song-hwa, the woman he grew up with. Orphans, they were both apprenticed to the pansori master Yu-bong who pressured them to sacrifice everything for the art. Dong-ho rebelled and ran away, to become the man he is now. Song-hwa stayed, lost her sight, and outlived Yu-bong. Rumor has it that she is still traveling and still singing pansori… The tale has one truly shocking twist, but the overall …