Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko’s worsening sickness.
Tag Archives: japanese
Yoen dokufuden: Hitokiri okatsu (1969) Nobuo Nakagawa, Junko Miyazono, Reiko Ônobuta, Kô Nishimura, Drama, Crime
Ginko, a Mushi-shi has always been attuned to the Mushi, creatures close to life itself and able to affect and alter their surroundings. He cannot stay in one place for too long so he wanders, helping the inhabitants of rural Japan understand the Mushi around them and how to coexist peacefully.
Tôkyô sensô sengo hiwa / The Man Who Put His Will on Film (1970) Nagisa Ôshima, Kazuo Goto, Sukio Fukuoka, Kenichi Fukuda, Drama
A metaphysical mystery involving a university student’s camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.
Akitsu onsen / Akitsu Springs (1962) Yoshishige Yoshida, Mariko Okada, Hiroyuki Nagato, Sô Yamamura, Drama, Romance
The day before Japan announces its defeat in WW2, a very ill Shusaku arrives in Okayama. He meets Shinko, an innkeeper, who inadvertently gives him the will to live as he spies her crying one day. As romance blossoms, the secret death wish he’d brought with him contends with true love for precedence in their relationship. Based on the book by Shinya Fujiwara.
Middle-aged Hideo lives alone with an inflatable doll he calls Nozomi. The doll is his closest companion. He dresses it up, talks to it over dinner, and has sexual intercourse with it. However, unbeknown to Hideo, Nozomi was created with a heart…
Hebi no michi / Serpent’s Path (1998) Shô Aikawa, Teruyuki Kagawa, Shiro Shitamoto, Kiyoshi Kurosawa, Crime
Serpent’s Path and its companion piece Eyes of the Spider (Kumo No Hitomi) both start from the same premise: a man taking revenge for the murder of a child. Kurosawa used this premise as the jumping-off point for the two films rather than their definition, resulting in a pair of works which are not so much occupied with revenge, but with the mental processes of human beings in situations that have placed them outside everyday life.
Sorekara / And Then… (1985) Yoshimitsu Morita, Yûsaku Matsuda, Miwako Fujitani, Kaoru Kobayashi, Drama
This is a probing tale set in turn of the century Japan, involving three people trapped in a complex relationship of love and friendship. Daisuke (Yusaku Matsuda) is supposed to be out looking for a respectable job and equally respectable wife. He is 30 years old and devotes his attention to music and literature; his family is wealthy and can support his interests.