Tag Archives: Japan

Saeko, a somewhat enigmatic young woman, is brutally beaten with a rock and raped by a man wearing a dark-colored mask and black gloves. She eventually recovers, but not long afterwards a series of horrific murders begins occurring in the apartment building she lives in. When it turns out that the victims are badly beaten, then killed and their genitals burned off, Saeko begins to think she has an idea who the killer is, but realizes she may be murdered before she has a chance to expose the maniac.
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From the creator of Ghost in the Shell and the director of Appleseed comes the intense post-apocalyptic prequel, Appleseed: Alpha. Left to survive in a post-World War society, two mercenary soldiers – Deunan and her cyborg partner Briareos – are sent on a mission on the outskirts of their war-torn city. During the operation, they run into Iris and Olson, two citizens from the utopian city of Olympus, who might have a way to save the world but the ruthless Talos and the scheming warlord Two Horns have their own plans. It’s up to Deunan and Briareos to safeguard their newfound contacts and help save humanity’s last hope.
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When a paramilitary task force called E.S.W.A.T. and its operations in the year 2133 Olympus, a futuristic utopia where humans, cyborgs, and bio-engineered human beings called “Bioroids” are attempting to live in perfect harmony. However, a series of random terrorist attacks perpetrated by cyborgs and humans alike threaten to throw Olympus into total chaos. As it turns out, these humans and machines have come under the influence of an unknown electronic signal that hacks into their nervous systems and they then become the unwilling servants of a malevolent computerized entity. Thrown into the action is the plucky female E.S.W.A.T. warrior Deunan Knute and her cyborg lover/partner Briareos as they investigate these bizarre occurrences with the other members of their unit. Things become complicated when a bioroid named Tereus, who resembles Briareous in his human form, joins their unit and threatens to come between their relationship. But these three must put aside their differences to face an even greater threat that promises world destruction in its wake.
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In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?
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Retired yakuza gangster Shuji (Ken Takakura) moves back from Osaka to a remote coastal village to start a new life as a fisherman with his family, his arrival from the city coinciding with that of the beautiful bar hostess Keiko (Yuko Tanaka, who provided the voice of Lady Eboshi in Princess Mononoke). Keiko’s new bar, as its name Hotaru (‘firefly’) suggests is soon acting as a magnet for all the local fishermen, much to the chagrin of their wives. Not soon after the arrival of Keiko’s roguish lover Yajima (Kitano), also an ex-mobster, the locals are drawn into a host of collective vices including gambling and all-night drinking sessions. After a truly stand-out scene in which Yajima runs rampage through the village on a heroin-induced spree with a carving knife, he is run out of town by Shuji, but not before slashing Shuji’s shirt open during the fracas to reveal the tattoo of a woman’s face upon his back. With Shuji’s gangster past now revealed he finds himself ostracised by the local community and drawn towards the sympathetic character of the bar hostess with whom he shares a common past. When Yajima rears his ugly head one more time in order to borrow money from Keiko to pay off a debt to the yakuza, it is to Shuji that she turns for help, threatening to upset his domestic apple cart and pitch him back towards his old life.
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A Japanese woman is raped by her boyfriend day in day out.
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Set in the Taish? period of Japan (dating from 1912 to 1926), Untamed follows the fiery Oshima (in a superbly eccentric performance by Takamine) as she passes from one suitor to another, a series of calamities befalling her along the way. Characteristic of Naruse’s work, urban and rural settings are juxtaposed: the moody Tokyo streets against a majestic mountain village. At each point, the various situations Oshima is caught in seem uncannily bound up with her surroundings. It’s worth noting that the film, while not widely known, is singled out for praise by critic Chris Fujiwara.
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Tells the story of Mei, leader of an all-girl biker gang, inadvertently gets involved with a yakuza group’s plot to rig boxing matches because of her boyfriend and a rival gang. When the yakuza tortures and kills some of her members, she comes out of hiding and, with the help of a loner named Ako, seeks revenge.
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An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.
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Mitsu (Sakai Miki) meets Yoshioka (Watabe Atsuro) on Christmas and spends the night with him. But their happiness comes to an end quickly when Mitsu is dignosed with leprosy, and needs to be transferred to a sanitarium. Yoshioka dares not visit her. Fortunately, the pitiable Mitsu receives the warmest greeting from the people in the sanitarium. She decides to stay even after finding out her diagnosis was mistaken. She realizes her own identity there as Yoshioka eventually hurries to the sanitarium for her.
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Naomi Kawase collaborates with Shinya Arimoto, a Taiyo award-winning photographer she knows from university, to create a photo album of Machiko Ono (who Kawase scouted for her previous feature film Moe no Suzaku) and Mika Mifune (daughter of famous actor Toshiro Mifune) with the idea to contrast these two aspiring actresses, Ono coming from the rural Nara and Mifune from Tokyo. Kawase documents the photo shooting and interviews Arimoto, Ono and Mifune as the work progresses, while the tension between her and Arimoto increases over disagreement on the direction of the project.
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A fictionalized account in four segments of the life of Japan’s celebrated twentieth-century author Yukio Mishima. Three of the segments parallel events in Mishima’s life with his novels (The Temple of the Golden Pavilion (Kinkaku-ji), Kyoko’s House, and Runaway Horses), while the fourth depicts 25 November 1970, “The Last Day”…
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Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.
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Single mum (father of child dead) from the country with 6th grade boy comes to Tokyo, leaves the boy to live with his uncle’s family – wife, male, female teens, run a struggling greengrocer – and lives/ works in local inn. He gets bullied/ fights with local boys, goes to the baths, plays basketball, is befriended by his male cousin and becomes friendly with grade 4 girl who’s the daughter of the innkeeper, who employs his mum and is the longterm mistress of a businessman from another town, who’s the girl’s father and who brings her half sister and brother to meet her but they’re mean to her. Meanwhile the boy’s mother gets friendly with one of the inn’s clients and chucks her job for a trip or something more permanent with him. The young girl takes him shopping, and wants the boy to live with her and her mother, but mother and father refuse so the two kids go to a seaside where he sprains his ankle and they’re late back even though the police get them and they’re in trouble. The boy loses his beetle and tries to get another for the girl for a school project but when he does, she’s moved house with her mother at the urging of her father.
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The story of a single mother who suffers from double vision; caring for her baby is a nerve-wrecking task that eventually leads her to a nervous breakdown. She is suspected of being a child abuser when things get out of control and her baby is taken away.
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