Tag Archives: Japan

Yumi, an exceptionally beautiful call girl, has a close call with death when a client forces her to die with him. An old cop pities her and agrees to be her guarantor so that she could join a Nishijin weaver workshop. Yumi wishes to put her dark past behind her, but she’s exposed by an ex-client. Despite the unwavered support of the old cop, she sees no way out and uses her seductive body again to get what she wants. Hiroyuki, her co-worker at the weaver workshop, is a pure-hearted young man who may redeem Yumi from her deadly path as a femme fatale.
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Yong Ho, a problematic guy, is walking alone at the riverside. He suddenly bumped with his friend’s reunion. He join them and after that go to the railway to commit suicide.Then, the train reverse back to show why he become like that from the beginning. Covers five phase of his life.
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Family and friends of the late Shuzo Miwa have gathered for his annual memorial service, this one marking the seventh anniversary of his passing. Three of his long time friends – married Shuzo Taguchi, married Soichi Mamiya, and widowed Seiichiro Hirayama – have long known and admitted to each other that they have always been attracted to his widow, Akiko Miwa, who they believe has gotten even more beautiful as she has matured. The three friends take it upon themselves to find a husband for the Miwa’s now twenty-four year old daughter, Ayako Miwa, who they believe as beautiful as her mother, and who, as a pure innocent, deserves a good husband. Their self-appointed task is despite them knowing that Ayako does not want them to do so. She doesn’t want to get married, at least not yet, as she struggles with her traditional sensibilities in post-war modern Japan. Her first priority as she sees it is to take care of her widowed mother, who would be alone if she were to get married.
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Fujishita Kumi is an ordinary office lady. Longing to escape her poor fishing village for a life in the city, she came to Tokyo. One day while alone in the office, she’s spotted rolling up her pantyhose by the window cleaner Kurata Katsuo. This was to be their first encounter. Completely enchanted by Kumi, Katsuo does everything he can to get close to her. He’s is a man with a terrible past. With the death of his coal miner father, his family was broken up and he was forced to follow in his father’s footsteps laboring away in the mud. In spite of this, Katsuo still has dreams. He dreams of living in Resiporuko, a utopian fantasyland that exists only in his imagination.
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400 hundred years ago the inhabitants of the village of Yatsuhaka murdered 8 samurai rebels, whom they were actually helping to hide away, afraid of what the Shogunate would do to them. Before dying one the samurai puts a curse on the village. Strange things start to happen so the villagers decided to erect 8 graves for the murdered samurai to appease their anger. Then four hundred years later the head of Tajimi family and head of the village goes mad and starts killing almost everyone in the village. 25 years later his eldest son is poisoned. Kindaichi Yousuke detective is hired by the family’s lawyer as everyone in the village believes is the curse of the samurai again.
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A lone gambler tries to keep a yakuza family from taking over a festival in Kitakyushu. After away from his hometown for 13 years, Ryuji comes back and saves the town that is becoming run-down from yakuza’s ill deeds.
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The film is packed with nice stunts throughout, but the screenplay could be better. After escaping the prison Chiba teams up with a bunch of thugs, who design prison escapes for money. Unfortunately trust and loyalty are unknown concepts to these men who take turns deceiving each other. The endless “who’s-cheating-who” game has been done better in other films, and sometimes the writing is downright sloppy: when a carefully planned escape operation fails, Chiba simply steals a fire engine and drives away without anyone noticing! It also feels that director Kosaku Yamashita, who made his name with yakuza films, was a bit out of his element here. However, even with these weaknesses it’s an entertaining action comedy which compares favourably against some of the later, similar Yasaku Matsuda films like Execution Game (1978) and No Grave for Us (1979). The focus is on stunts and comedy.
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A young leader of the Yamazaki family of Nagasaki, Takida (Ken Takakura) is an A-bomb survivor. He fiercely battles violent elements in southern Japan without fear of consequences.
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The story of Tei, a female coalmine operator, who risks her life to protect the business that was passed on by her late husband.
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One of the great stories from Japan’s rich history comes to life in this true tale of the bloody showdown between two rival yakuza gangs in the 1840’s. The battle between Boss Sukegoro of Iioka and Boss Shigezo of Sasagawa has been portrayed many times, most notably in the first Zatoichi film, where the blind man befriends the tubercular ronin Hirate Miki, before cutting him down in one of the great duels in cinema history. This all-star extravaganza pulls out all the stops, with appearances by virtually all of the great actors and actresses from Toei’s studio at the time. Ichikawa Utaemon’s portrayal of the kind-hearted, noble yakuza boss Shigezo of Sasagawa contrasts sharply with the devious Sukegoro of Iioka. Corrupt as he may have been, his men were all willing to give up their lives for him.
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In 1983, photographer Gocho Shigeo met an early death at the young age of 36. The view we see reflected in Gocho’s photographic images has become more profound over time since his death and has struck a chord in people’s hearts. While focusing on Gocho’s collection of photographs Self and Others, the film also visits places associated with him, creating a collage with the manuscripts, letters, photographs and voice recordings remaining in an attempt to capture “one more gesture”—a theme pursued by Gocho through photographic expression. This film is neither a critical biography nor a monograph on the photographer. Rather, we are offered a new perception. As if mesmerized, the photographs Gocho left behind captivate us in their gaze.
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Dr. Akagi, a rural physician in Japan during WWII, wages a one-man crusade against hepetitis, earning him a reputation as “Dr. Liver.” But his fanatic campaign brings him into disfavor with the Japanese army, and as the war seems more and more hopeless for the Japanese, Dr. Akagi finds himself increasingly a scapegoat.
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In this humorous paean to the joys of food, the main story is about trucker Goro, who rides into town like a modern Shane to help Tampopo set up the perfect noodle soup restaurant. Woven into this main story are a number of smaller stories about the importance of food, ranging from a gangster who mixes hot sex with food, to an old woman who terrorizes a shopkeeper by compulsively squeezing his wares.
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Convicted of killing the drug dealer who murdered her husband, Maria is blackmailed into serving as a covert assassin. She must do the government’s bidding if she is ever to regain her freedom, or her son. With each completed mission, her sentenced is further re- duced. Yet, with every job she feels further away from her goal of a peaceful life.
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Young coal miner Takeda leaves Kyushu in search of a better job in Tokyo, only to fall into the lucrative yet dangerous life of a yakuza.
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