Tag Archives: Japan

Tokugawa onna keizu / History of the Shogun’s Harem (1968) Teruo Ishii, Masako Arisawa, Kemi Ichiboshi, Mari Iwai, Drama, Exploitation, Erotic

tokugawa-onna-keizu-aka-history-of-the-shoguns-harem-1968
The fifth shogun searches for a woman who would love him for the person he is, and not because of his title and rank. With over a hundred women to choose from,who will bare him a son and become number one? A tragic love story involving the fifth shogun of the tokugawa dynasty and a woman who became one of his concubines.
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Orgies of Edo / Zankoku ijô gyakutai monogatari: Genroku onna keizu (1969) Teruo Ishii, Teruo Yoshida, Toyozô Yamamoto, Masumi Tachibana, Drama, Erotic

orgies-of-edo-1969
In the tradition of JOY OF TORTURE, this film presents three stores of sadism and perversion taking place in Edo during a time of civil war. The first story is about doomed lovers, the second is about a noblewoman who likes to do it with hairy midgets and imported black slaves because of a certain incident in her past and finally the third story is about the marvel of caesarean section.
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Daichi no komoriuta / Lullaby of the Earth (1976) Yasuzô Masumura, Mieko Harada, Natsuko Kahara, Meiko Kaji, Drama

daichi-no-komoriuta-aka-lullaby-of-the-earth-1976
The story of an orphan girl, brought up in naive, rustic innocence by an elderly relative, who is suddenly exposed to the brutality, greed and deceptiveness of the outside world, when her grandmother dies. Notwithstanding her healthy distrust of all strangers, which her upbringing instilled in her, it is not long before a cunning racketeer finds her weak point, that temptation which she cannot resist, that weakness, different as it may be, that each of us has, and brings her into his power.
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Kono ko wo nokoshite / Children of Nagasaki (1983) Keisuke Kinoshita, Gô Katô, Yukiyo Toake, Chikage Awashima, Drama, War

kono-ko-wo-nokoshite-aka-children-of-nagasaki-1983
In Nagasaki, Japan, on 09 August 1945, at 11:02 AM, 80.000 dead and thousand of persons wounded or contaminated by radiation were victims of one of the most hideous crimes of the mankind history. This low-budget movie is a dramatization of this deplorable event, based on the report of one of the survivors of the ‘day after’ of Nagasaki.
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Anata-ga suki desu, dai suki desu / I Like You, I Like You Very Much (1994) Hiroyuki Oki, Chano, Kazunori Shibuya, Hisanori Kitakaze, Drama

anata-ga-suki-desu-dai-suki-desu-aka-i-like-you-i-like-you-very-much-1994
This groundbreaking drama, one of few to feature gay lifestyles in a Japanese context, is the work of writer, editor, cinematographer, director and co-star Hiroyuki Oki, an avant-garde filmmaker. In the liberal enclave of Kochi City, Japan, a gay college student, You (pronounced using two syllables as “Yo-ooh”), is living a contented life with his lover and classmate. Then he spies an attractive young man at a train station, and their meeting leads to a subsequent sexual encounter. Although You confesses his infidelity to his boyfriend and even seeks the advice of an ex-lover, he does not completely break off his new relationship, leading to a love triangle that forces each of the men to question his sexuality and identity. Running barely one hour long, I Like You, I Like You Very Much (1995) was short for a feature-length film but earned critical respect for tackling what remains an extremely sensitive cultural issue in its home country.
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Ubume no natsu / Summer of Ubume (2005) Akio Jissôji, Hiroshi Abe, Nômaru Abe, Yoshiyoshi Arakawa, Horror

ubume-no-natsu-aka-summer-of-ubume-2005
During the 1950’s, a Tokyo woman from a wealthy family has been pregnant for 20 months while her husband has been missing for a year, apparently after vanishing from inside a locked room. She lives with her mother in a big house that seems to be part of the key for the long delayed delivery. Sekiguchi, a young novelist has a lukewarm interest in the case, sparked by hallucinations or, as they’re called in the film, revelations. The affair is far from private, terrified people ask for police intervention, riot and threaten to break into the house…
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Bakurô ichidai / The Life of a Horse Trader (1951) Keigo Kimura, Toshirô Mifune, Machiko Kyô, Takashi Shimura, Drama

bakuro-ichidai-aka-the-life-of-a-horse-trader-1951
This early gem starring the great Mifune Toshiba tells the tale of Katakana Yonetaro aka “The Shark,” a rough-and-tumble horse trader in Japan’s rugged northernmost territory of Hokkaddo.. always ready to drink, fight, gamble and chase women he falls victim to a crooked game with loaded dice. This little-known film captures the wild ways of early Japan after the fall of the shogunate when men had only their own strengths and skills to rely on. A brilliant yet tragic tale that can now be told.
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Matatabi / The Wanderers (1973) Kon Ichikawa, Isao Bitô, Tadao Futami, Ken’ichi Hagiwara, Drama

matatabi-aka-the-wanderers-1973
Follows the fluctuating fortunes of three friends in feudal Japan who are ronin: masterless warriors, who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. These are not the YOJIMBO Super Samurai but rather the rank and file, the spear-carriers. The irony is that even though they use the servants’ entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.
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Waga ai no uta – Taki Rentaro monogatari / Bloom in the Moonlight: The Story of Rentaro Taki (1993) Shin’ichirô Sawai, Tôru Kazama, Isako Washio, Ryo Amamiya, Biography, Drama, Music

bloom-in-the-moonlight-the-story-of-rentaro-taki-1993
In April 1895, the talented young Rentaro Taki comes to Tokyo from his home in Kyushu to enrol in the prestigious National Academy of Music. Hoping to become a pianist, he meets another student there, Yuki Nakano, who shares the same aspirations. With his elder classmate Suzuki’s encouragement, Rentaro practices furiously to perfect his technique, but loses his health in the process. Over the years, his health, as well as his devotion to and achievement level in music, fluctuates, as two friends adjust to the varying roles they can each potentially play in his life. Yuki receives the Japanese government’s first music scholarship to study in Berlin. At the same time, Rentaro composes wonderful music and songs like Bloom in the Moonlight which are still very popular in today’s Japan, while Suzuki quits the music school and becomes a hard labourer due to family crisis.
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