Tag Archives: italian

Vittorio (Enrico M. Salerno) is a 40-year-old journalist who reaches a mid-life crisis. His wife nags him constantly for ignoring her and their child. After his mistress dumps him, Vittorio returns to the town where he spent his childhood to reflect on the state of his life. Flashbacks are used to tell of Vittorio’s relationship with his parents as a child and the effects World War II had on his development.
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A demon bestows on a self-righteous working photographer’s camera the power to smite from the Earth “evil-doers”. Naturally, the indignant photographer turns his new weapon on, one by one, his entire village, beginning with the wealthy or illustrious. Soon, the poor he is so supposedly so enamored of become his victims too, so rife with impatience and contempt is he, that the slightest flaw is cause for smiting. Inevitably, he embarks on a task to destroy everyone.
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The film tells the story of a Spanish soldier, who falls in love with a gypsy only to end up deserting the army and being chased into the border lands, where he joins the gypsy smugglers to rob money for a journey to America. But it turns out his love has a husband and is only using him again and again….
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Marco Bellocchio’s My Mother’s Smile was deemed blasphemous by the Roman Catholic Church for what the Church referred to as Bellocchio’s “systematic destruction of family and religious values.” Contrary to the Church’s presumptions about Bellocchio, My Mother’s Smile is a fascinating portrait of a man (Sergio Castellitto as Ernesto) who is forced to reconcile with his own atheism after receiving a shocking appeal from the Church requesting his participation in the canonization of his “saintly” mother.
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During the Second Punic War, the commander Scipio Africanus (Marcello Mastroianni) is in a crisis because the Roman army can not defeat the many Carthaginian legions of Hannibal Barca. Teaming with his brother Scipio Asiaticus (Ruggero Mastroianni), Africanus manages to destroy the troops of Hannibal at Zama and to win the war. When he returns triumphant to Rome, he realizes that he has been manipulated like a puppet by the consul Marcus Porcius Cato, called “the Censor” (Vittorio Gassman). Scipio, disgusted by the poor Roman politics, withdraws from his rank of general, while Cato plans to destroy with a third war the cursed city of Carthage.
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Two teenage friends conspire to find out how much their youthful sensuality can disrupt one of their households, headed by a dentist and his mentally-ill wife.
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Diana is happily married to Paolo but due to her wild passion for sex, she regularly winds up in short lived erotic adventures, which she doesn’t keep hidden from Paolo. On the contrary: by telling him, their sexual relationship is fueled with fresh impulses. When Diana experiences a stormy affair with the poet Alphonse, Paolo gets jealous after all and rejects Diana, who then goes head first in to a wild orgy of sexual excess with her sister and some friends.
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Timido, goffo e petulante, Alberto cerca in ogni modo di fare colpo su Margherita. Con la speranza di vincere il primo premio, partecipa a una corsa. Da un soggetto di Sordi sceneggiato dall’attore con Cesare Zavattini e Vittorio De Sica (che si dice abbia diretto gran parte del film), un filmetto un po’ melenso ma interessante come specchio della Roma postbellica. Nel suo primo film da protagonista Sordi ha voluto portare sullo schermo i temi, i modi e l’umorismo di un suo popolare programma radiofonico.
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Journalist Jep Gambardella has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city’s literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.
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A wife escapes her pressure-filled marriage only to have her husband haunt her literally and figuratively.
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An anarchist grandfather has custody of his nephew Free, but three aunts, two of which still handsome, they get the help of a priest and the police. So take possession of the child and cover it with lust.
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Clelia comes from Rome to her native Turin, to set up a new fashion salon. On her first night, the woman in the next room of her hotel takes an overdose of pills. Clelia becomes involved with this woman, Rosetta, and three of her rich women friends, Momina, Nene, and Mariella. Momina is older than the others, and lives apart from her husband. Her current lover is Cesare, the architect of Clelia’s salon. Nene is a talented ceramics artist, and lives with her fiance, the painter Lorenzo. Mariella is a flighty woman only interested in having a good time. Clelia becomes attached to Carlo, the architect’s assistant, but the other women look down on him as he comes from a working class background. Momina, with the help of Clelia, discovers that Rosetta fell in love with Lorenzo as he was painting her portrait. Momina then encourages Rosetta to go after Lorenzo, even though he and Nene were supposed to marry soon.
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Through the childhood and the adolescence of Giacomo Casanova (from his memoirs), this is a description of how people live in the Venice of the 18th century: customs, habits, medicine, religion and most of all – the omnipresence of hypocrisy.
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Renouncing her “sinful” past, Emanuelle has entered a convent and has dedicated herself to a life of service. Enter Monika, the free-spirited, free-loving daughter of a wealthy Baron. Emanuelle is charged with keeping Monika in line, but when the young girl’s wild ways bring back memories of her own sensual past, Emanuelle begins questioning her own religious and sexual identity. Advances from an escaped killer who is hiding in the convent serve to complicate matters further.
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On the first of May 1947, the bandit Salvatore Giuliano conducted a raid to the mountain pass Portella della Ginestra, with a view to capturing Sicily’s most prominent communist, Giacomo Licausi. What actually happened was a regular massacre, leaving fourteen people dead and more than thirty wounded. In 1951, about a year after Giulano’s violent death, his men are tried in Viterbo. Unconvinced by the official version, Gaspare Pasciotta’s lawyer, decides to travel to Sicily and starts investigating the facts.
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