Tag Archives: italian subtitles

Juke box – Urli d’amore (1959) Mauro Morassi, Mario Carotenuto, Marisa Merlini, Karin Baal, Comedy

Juke box - Urli d'amore (1959)
Mario, after serving a sentence for fraud, trying to continue to live at the expense of others. Marisa knows, a mature unmarried owner of a house music started that, despite everything, would like to marry him. After deception and misunderstanding, Mario, who has no intention of getting married, and has since used the situation weaving a series of cheating availing themselves of the house music is discovered and, when pressed between the prison and marriage, promises to Marisa to marry her, but then they blow it upstream to the last moment.

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Ronin (1998) John Frankenheimer, Robert De Niro, Jean Reno, Natascha McElhone, Action, Adventure, Crime

Ronin (1998)
A group of five experts is assembled to retrieve a mysterious briefcase from an equally mysterious group of criminals. American strategist Sam joins French coordinator Vincent, German electronics expert Gregor, American driver Larry and British veteran Spence. They begin in Paris but soon follow the briefcase to the South of France, where it is stolen by Gregor. The remainder of the gang must chase it anew.

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Un jeune poète / A Young Poet (2014) Damien Manivel, Rémi Taffanel, Léonore Fernandes, Enzo Vassallo, Adventure, Comedy, Drama

A Young Poet (2014)
Barely out of his teens, Rémi dreams of becoming a poet and thrilling the world with his powerful and unforgettable verse. Seeking inspiration in the oppressively hot city of Sète, pen and notebook in hand, Rémi is determined to write his poem… But where to begin? By spending hours contemplating the sea? Climbing a mountain? Listening to the birds singing? Going to the library? Finding his muse? In bars? In the cemetery? Underwater? And if none of that works, then by drinking, drinking and drinking some more until that spark of inspiration strikes.

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Speed / Lotna (1959) Andrzej Wajda, Jerzy Pichelski, Adam Pawlikowski, Jerzy Moes, Drama, War

Speed (1959)
Poland, during the World War. Lotna is a magnificent specimen of Arabian horse, the pride of her owner, too old to actually ride her but to whom she remains faithful nevertheless. The Polish cavalry army is also proud of their land, and loyal to rules, and custom. The German army is leading an overwhelming speed attack with tanks, an almost unheard of weapon, and bringing a way of life to an end. It’s the last battle between Lotna (speed horse) and Blitzkriega (speed war).

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Nikita (1990) Luc Besson, Anne Parillaud, Marc Duret, Patrick Fontana, Action, Thriller

Nikita (1990)
Nikita is the sole survivor of a bloody shoot out between police and a band of drug-crazed social dropouts. Violently aggressive and mentally unstable, the young woman is taken into police custody, but soon find herself a prisoner in a secret government department. She is offered a choice: to die for the crime she has committed, or to train to become a government assassin. Not that she really has a choice…

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Subway (1985) Luc Besson, Christopher Lambert, Isabelle Adjani, Richard Bohringer, Comedy, Drama, Thriller

Subway (Luc Besson, 1985)
Helena, the beautiful young wife of a wealthy businessman, invites a stranger Fred to her party. Fred repays her by stealing compromising documents from her husband’s safe, with the aim of blackmailing the couple. Pursued by police and the henchmen of Helena’s ruthless husband, Fred goes on the run, taking refuge in the Paris metro. Here, he meets other social misfits, including a roller-blader the police have been hunting for several months. Whilst Helena realises that she has fallen in love with Fred and makes every attempt to contact him, Fred occupies himself with forming a band by recruiting buskers. Meanwhile, the police and Helena’s husband are getting closer to their target…

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Landscape after Battle / Krajobraz po bitwie (1970) Andrzej Wajda, Daniel Olbrychski, Stanislawa Celinska, Aleksander Bardini, Drama, Romance

Landscape after Battle (1970)
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

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High Plains Drifter (1973) Clint Eastwood, Verna Bloom, Marianna Hill, Western

High Plains Drifter (1973)
“Who are you?” the dwarf Mordecai (Billy Curtis) asks Clint Eastwood’s Stranger at the end of Eastwood’s 1973 western High Plains Drifter. “You know,” he replies, before vanishing into the desert heat waves near California’s Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood’s second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago’s residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper’s wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it “Hell,” it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter’s stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood’s antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood’s harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood’s audience, however, was not so put off, and an exhibitors’ poll named Eastwood a top box-office draw for 1973.

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