Tag Archives: Hungary

Napló apámnak, anyámnak / Diary for My Parents (1990) Márta Mészáros, Zsuzsa Czinkóczi, Jan Nowicki, Mari Töröcsik, Biography, Drama

Naplo apamnak, anyamnak (1990)
The story follows a young student who is orphaned as it grows to adulthood, in the shadow of the Hungarian uprising of 1956. Coming from the communist intelligentsia, looks like your friends and family react differently. His lover, a married factory manager, supports the patriots and later attends striking colleagues. Meanwhile, her sister and others express their anger at being forced from their homes during the Revolution and continue expressing hatred of the rebels later. But in the end they realize the damage is for all, real life is not possible after revolt and brutal repression by the Soviets and colleagues.

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Magyarok / Hungarians (1978) Zoltán Fábri, Gábor Koncz, Éva Pap, József Bihari, Drama

Magyarok (Zoltan Fabri, 1978)
A group of landless Hungarian peasants accept work as migrant-laborers on a farm in northern Germany where the wages are good, and the wives and family are allowed to accompany them. Though it is in the midst of World War II, they are relatively well-off. However, they glimpse the treatment accorded to POWs and others who are not so gently treated, and at the conclusion of the year’s harvest, they choose to return to Hungary and are quickly swept up in the tides of war. This film is part of a series of films by award-winning, well-respected director Zoltan Fabri who devoted much time and effort chronicling the struggle against fascism.

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Egri csillagok / Stars of Eger (1968) Zoltán Várkonyi, Imre Sinkovits, György Bárdy, István Kovács, History, Romance, War

Egri csillagok (1968)
Throughout the second half of the twentieth century, several European countries this super-productions made epic in which important events in their national history, the struggles against the Ottoman Empire were narrated. In the case of Hungary, this film based on one of the most famous books in Hungarian literature, “Stars of Eger” by Géza Gárdonyi, is the most representative.

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Simon mágus / Simon, the Magician (1999) Ildikó Enyedi, Péter Andorai, Julie Delarme, Péter Halász, Drama

Simon, the Magician (1999)
In this surrealistic movie from the director of My 20th Century, the French police seek help from Simon, a visionary living in Budapest to solve a murder case. Whilst in Paris, Simon falls in love with Jeanne, although they do not speak each other’s language. When Jeanne leaves for a couple of days, Peter, another visionary, calls Simon for a duel: They both have to spend three days buried alive. Will Simon ever meet his love again?

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Isten hozta örnagy úr / The Toth Family (1969) Zoltán Fábri, Zoltán Latinovits, Imre Sinkovits, Márta Fónay, Comedy, Drama

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The Tót family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks him into a visit to his family home. Comedy endues when the Tót’s go overboard trying to make things pleasant for the visiting major in hopes of an easier life for their son the soldier.

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A tanú / The Witness (1969) Péter Bacsó, Ferenc Kállai, Lajos Öze, Béla Both, Drama, Comedy

A tanu (Peter Bacso, 1969)
Banned for over a decade for its outspoken criticism of the post-WWII communist regime in Hungary, Péter Bacsó’s ‘The Witness’ has since then achieved unparalleled cult status in its native land. Known as the best satire about communism, ‘The Witness’ has become a cult classic, which was also well received by critics and general audiences alike when it was finally released outside of Hungary. Its candid and realistic portrayal of the incompetent communist regime has earned great acclaim for both the director and the film itself when it was shown at Cannes Film Festival in 1981. ‘The Witness’ takes place during the height of the Rákosi Era, which was closely modeled after the ruthless and brutal Stalin regime. The film follows the life of an ordinary dike keeper, József Pelikán, who has been caught for illegally slaughtering his pig, Dezsõ. Instead of doing hard time for his “heinous” crime, Pelikán is elevated into an important position, generally reserved for the communist elite.

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