Tag Archives: Hungarian

Te rongyos élet / Oh, Bloody Life (1984) Péter Bacsó, Dorottya Udvaros, Zoltán Bezerédy, András Kern, Comedy, Drama

Te rongyos elet (1984)
The Hungarian Oh, Bloody Life reflects on the heavy emotional toll taken by the repressive Stalin regime. Dorotya Udvaros plays a young actress from a high-born family. The government bias against persons of wealth threatens to destroy her career before it begins. As a final blow, she is threatened with deportation. The exasperation inherent in the film’s title is only the tip of the iceberg.

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Nyugalom / Where Were You, My Son? (2008) Róbert Alföldi

Nyugalom (2008)
Set in a large apartment in Hungary during the death throes of communism, obedient Andor lives with his eccentric mother, Rebeka, a once-celebrated stage actress-turned-recluse. After years of coexisting in a love-hate relationship marked by routine and possible incest, Andor brings home Eszter, a beautiful girl his own age. Her advances awaken Andor’s repressed desires, the depths of which prove shocking. Opera director Robert Alfoldi renders this bizarre story in a melodramatic style, and veteran Hungarian stage star Dorottya Udvaros rises to the occasion.

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Körhinta / Merry-Go-Round (1956) Zoltán Fábri

Korhinta (1956)
In a rural scenery in the throes of difficult changes lives a humble but promising young farmer girl called Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to an old but rich man with whom he does business. Land marries land, he says. This seems to be the unyielding rule of the Hungarian peasantry. But the young lover is ready to stand up to any challenge to keep Maris love.

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Agitátorok / The Agitators (1971) Dezsö Magyar

Agitatorok (1971)
After the World War I, enthusiastic young people found the intellectual group of Hungarian Communist Party. Their aim is to propagate the communist ideology to the people and get the workers on their side. They have fierce discussions on the new ideas, though their movement is not very successful. They clash with their opposition, attempt to lead people to the Red Army, but without success.

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Tréfa / Prank (2009) Péter Gárdos

Trefa (2009)
It is 1912 and war looms on the horizon. The school year begins in a boarding school run by priests. Zoltán’s father, is one of the masters and struggling with questions that challenge their faith, while waiting for news of his brother, Titanic passenger, and is a particularly problematic group of new students, many of whom have been fond increasingly heavy play each other jokes. The arrival of Father Weigl, hired to teach physical education and decided to act when it sees pranks have gone too far, will bring alarming consequences.

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Csend és kiáltás / Silence and Cry (1968) Miklós Jancsó

Csend es kialtas (1968)
Miklós Jancsó’s Silence and Cry is set during a turbulent era of disquiet, fear, persecution and terror, which permeates every corner of post-WWI Hungarian society. In 1919, after just a few months of communist rule the Hungarian Republic of Councils falls victim to a nationalist counter-revolution. Admiral Horthy, leader of the nationalist far right movement, becomes the self-proclaimed regent of Hungary, and assumes power as the legal Head of State. Soldiers of the short-lived Hungarian Red Army are now on the run from relentless secret policemen and patrol units of the nationalist Royal Gendarme. If caught, ex-Red Army soldiers are executed without mercy or proper trial. István Cserzi, a former soldier of the Red Army has fled to the Great Hungarian Plains and has taken refuge on a farm, which is run by two sympathetic women.

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Tüzoltó utca 25. / 25 Fireman’s Street (1973) István Szabó, Lucyna Winnicka, Margit Makay, Károly Kovács, Drama, History, Romance, Erotic

Tuzolto utca 25 (1973)
On one hot summer night, the residents of a Hungarian apartment house slated for demolition restlessly revisit their haunted pasts as they face an uncertain future. In a gently turning kaleidoscope of dream imagery, regret-laden nostalgia and painstakingly intimate detail, the looming wrecking ball pales in significance to the accumulated experiences each dreamer revisits. Pre-war prejudice, occupying Nazis and Stalinist deprivations all come and go as each tenant’s backward glance yields moments of aching sensuality, infectious exuberance and catastrophic loss.

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