Tag Archives: Greece

To koritsi me ta mavra / A Girl in Black (1956) Mihalis Kakogiannis, Ellie Lambeti, Dimitris Horn, Eleni Zafeiriou, Drama, Romance

To koritsi me ta mavra (1956)
Marina’s sister drowned herself, her brother is both headstrong and weak, and her widowed mother has a reputation for sleeping around. Plus, Marina, who’s family was rich before the war, is aloof: so she’s the object of the jealousy and scorn of Hydra’s young men, especially Christos, whom she rejected. She fears harassment whenever she leaves her house. When two Athenians on vacation board at Marina’s family home, things come to a head: she falls in love with Pavlos, one of the visitors, and he with her. The young men in town stalk and jeer her; then play a cruel trick on Pavlos that goes awry with tragic results. Can any good come from the catharsis of tragedy?

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Kyriakatiko xypnima / Windfall in Athens (1954) Mihalis Kakogiannis, Ellie Lambeti, Dimitris Horn, Giorgos Pappas, Comedy, Romance

Kyriakatiko xypnima (1954)
Mina is a charming salesgirl. She buys a lottery ticket, but she finds out soon that it has been stolen from her. Pavlos, a married lawyer, enamored with her, helps her to track down the ticket. After a while they discover it at a penniless musician’s hands, who had bought it from a street kid. When Alexis, the musician, wins the lottery, Mina claims the money with the help of the lawyer. Soon, Mina and Alexis fall in love.

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Loufa kai Parallagi / Loaf and Camouflage (1984) Nicos Perakis, Nikos Kalogeropoulos, Giorgos Kimoulis, Takis Spiridakis, Comedy

Loufa kai Parallagi (1984)
The film is the story of a group of soldiers, who, in the course of their compulsory military service in 1967 and 1968, before and during the military dictatorship in Greece, are assigned to the then recently founded Armed Forces Television. This TV station, founded for the civilian population, was run by the Cinematographic Unit of the army which until then had only produced propaganda films and newsreels and was responsible for entertaining the troops and other charity organizations with movie screenings. The personnel was composed mostly of soldiers, who already had experience in the film business in their civilian lives, as well as those who received their training in the army. The story may be only 95% true, but that is simply because the true story is even more absurd…

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Mavro livadi / Black Field (2009) Vardis Marinakis, Sofia Georgovassili, Hristos Passalis, Despina Bebedelli, Drama, Romance

Black Field (2009)
Greece, 1654. A seriously wounded Janissary arrives at a cloister situated on a cliff, and the sisters take him in and care for him. Sister Anthi, one of those who tends him, falls in love with the soldier and eventually helps him escape. The central focus of the film does not come out of its historical context but is derived from the relationship between the two main characters and, above all, from the quest for freedom and identity for young Anthi. The initially silent sister, hiding a surprising secret, discovers heretofore unknown desires that lead her to a radically altered view of herself.

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Smutek paní Snajdrové / The Sadness of Mrs. Snajdrova (2008) Eno Milkani, Piro Milkani

Smutek pani Snajdrove (2008)
It is 1961 and an Albanian student (Nik Xhelilaj) of the Academy of Performing Arts in Prague, together with a group of Czech students, is shooting his graduate movie on a motorcycle factory, in the small market-town of ?eský Šternberk, in then Czechoslovakia. Coming from a country that is completely isolated from the rest of Europe, he is fascinated by the lifestyle, society and “erotic exuberance” of the Czech golden youth, yet feeling strong links with his family in his homeland. He falls in love with a married woman (Anna Geislerová), the wife of a police superintendent (Paolo Buglioni) and is insecure about his future.

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Oi Klironomoi / The Heirs (1964) Giannis Dalianidis, Dinos Iliopoulos, Costas Hajihristos, Martha Karagianni, Comedy

Oi Klironomoi (1964)
Three distant cousins, barber Panagiotis; unemployed Sotiris, who wants to open a club; and dancer Mary, are the heirs of a house of haute couture. Mr. Errikos, the manager of the house, is the fourth heir. Each of the deceased’s nephews and the manager inherit 24% of the business, whereas the niece gets 28%. Dividing such an inheritance in four parts makes things rather difficult, especially when the beneficiaries have no knowledge of the profession. While the other three try to engineer each other’s ruin, vivacious Mary pretends to be a model, steals Errikos’ heart and thus gains control of the fashion house. In the meantime, Sotiris and Panagiotis fall in love with two girls who work there, Kaiti and Fofi, and so everything falls into place.

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