Tag Archives: Gina Lollobrigida

Achtung! Banditi! / Attention! Bandits! (1951) Carlo Lizzani, Gina Lollobrigida, Andrea Checchi, Vittorio Duse, Drama, War

Achtung! Banditi! (1951)
During the winter of 1944, the partisans stationed in the Ligurian Apennines must go to a factory in Genoa, in order to pick up a delivery of weapons. Meanwhile, there’s a strike in the city and the Nazis are trying to suppress it violently. The factory becomes the scene of fighting between the Germans and the partisans but the latter, aided by the workers, will be able to get the better.

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Buona Sera, Mrs. Campbell (1968) Melvin Frank, Gina Lollobrigida, Shelley Winters, Phil Silvers, Comedy, Romance, War

Buona Sera, Mrs. Campbell (1968)
Twenty years after their initial war-time visit three U.S. servicemen hold a reunion at an Italian village. They all have fond memories, especially of local girl Carla. But she has been telling each of them that they are the father of her daughter Gia, so they have all been paying well for her upbringing. As this dawns on the threesome old rivalries surface, but times have changed and complications such as wives, middle-age, and the need to protect Gia’s future start to surface.

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La città si difende / Four Ways Out (1951) Pietro Germi, Gina Lollobrigida, Renato Baldini, Cosetta Greco, Crime, Drama

La citta si difende (Pietro Germi, 1951)
As a soccer match is in progress, a group of four criminals robs the stadium office. Before they can make their getaway, a chase begins, and they must split up before they can divide the money. The police have little to go on, since it appears that none of the robbers were experienced criminals. Meanwhile, the thieves have to arrange for dividing the money while trying to avoid being captured.

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The Lonely Woman / No encontré rosas para mi madre (1973) Francisco Rovira Beleta, Gina Lollobrigida, Danielle Darrieux, Concha Velasco, Drama

The Lonely Woman (1973)
A young male model-cum-hustler juggling “relationships” with three women while looking for the big score, a rich girl who will keep him afloat for life. But no relationship is developed, no background examined, no motivation explained. He just bounces from woman to woman like a pinball and ends up marrying an emotionally stunted girl who plays with dolls.

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Pane, amore e gelosia / Frisky (1954) Luigi Comencini, Vittorio De Sica, Gina Lollobrigida, Marisa Merlini, Comedy, Romance

Pane, amore e gelosia AKA Bread, Love and Jealousy (1954)
In a small Italian village, Maria De Ritis is engaged to army Lieutenant Pietro Stelluti. Stelluti’s superior officer, Marshal Antonio Carotenuto, is contemplating marriage to Annarella Mirziano, but he will be forced to resign if he marries Annarella, since she has an illegitimate child and that is against regulations for army officers. When Stelluti leaves town for a few weeks, the town-gossips create an affair out of the innocent relationship between Maria and Antonio. Stelluti returns and accuses Maria of infidelity, and, she, in reprisal, runs off and joins a traveling theatrical troupe as a dancer. Antonio, after convincing Annarella that he has not betrayed her love, encounters more trouble when the father of Annarella’s child shows up and asks that she and the child go away with him. Antonio tells Annarella that it is her decision to make, and she chooses the child’s father and leaves with him.

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