Tag Archives: Germany

Céleste (1980) Percy Adlon, Eva Mattes, Jürgen Arndt, Norbert Wartha, Biography, Drama

Celeste (1980)
In 1914, with men gone to war, Marcel Proust hired Céleste Albaret as his attendant. More than eight years later, she was at his side when he died. During this entire time, she only entered his room when he rang for her, sleeping from 9 AM to 3 PM to wait during the night while he wrote. Marcel uses her as more than a servant: she is his muse, telling stories of her childhood to stir his remembrance of things past; she’s in cahoots with him as he manipulates those he wants to draw on for his writing; she listens appalled to his descriptions of the underside of Paris. Hers is a life of love and sweet devotion as he races time to finish his work before death.

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Syngué sabour, pierre de patience / The Patience Stone (2012) Atiq Rahimi, Golshifteh Farahani, Hamid Djavadan, Hassina Burgan, Drama, War

La Pierre de Patience
Author Atiq Rahimi’s adapts his own bestselling novel about a Muslim woman whose paralyzed husband unconsciously assumes the role of syngué sabour, which shields her from the sorrows of life in her war-torn village. Her unnamed Middle Eastern country caught up in the insurrection, the loyal, thirty-something wife faithfully sits watch over her vegetative husband, who has been all-but forgotten by his brothers and fellow Jihadists. Over time, she gathers the courage to tell her husband all of the things she had remained silent about during their 10 years of marriage. Throughout the course of their conversations, she speaks frankly of the disappointments, sorrows, and sacrifices that have made her life so difficult throughout the previous decade.

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Luchino Visconti (1999) Carlo Lizzani, Björn Andrésen, Laura Antonelli, Tina Apicella, Documentary

Luchino Visconti (1999)
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for “Cinema,” his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.

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MADO (1976) Claude Sautet, Michel Piccoli, Ottavia Piccolo, Jacques Dutronc, Drama

MADO (1976)
Middle-aged businessman Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…

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Iracema – Uma Transa Amazônica (1975) Jorge Bodanzky, Orlando Senna, Paulo César Peréio, Edna de Cássia, Lúcio Dos Santos, Drama

Iracema - Uma Transa Amazonica (1975)
In the 70’s, the fifteen years old whore Iracema meets the truck driver Sebastião, a.k.a. “Tião Brazil Grande”, and travels with him along the Amazon Forest through Transamazônica, the longest Brazilian highway recently built by the military government to bring development to the area settling landless peasants. When Tião drops her on the road, Iracema is submitted to the most decadent types of prostitution to survive.

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Warnung vor einer heiligen Nutte / Beware of a Holy Whore (1971) Rainer Werner Fassbinder, Lou Castel, Eddie Constantine, Marquard Bohm, Comedy, Drama

Beware of a Holy Whore (1971)
On a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director arrives the material is still missing and so they still wait and try to make the best out of the situation. When the material finally arrives all folks involved into the film find themselves in a weird situation. Jealousy, competition and despair are ruling. Nobody seems to be able to break through this atmosphere, so they all still try to make the best out of the situation, but this is probably not the way to finish the film.

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