Tag Archives: Germany

A fake documentary about the sex lives of teenage girls.
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Stories to display absurdities in the sex life of German school girls
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A strict, conservative teacher is lured by three of his beautiful, nubile young female students into a compromising situation.
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A teenage girl is caught petting with the bus driver during an outing. The school’s parent council discusses her punishment. One parent, a psychologist, suggests that her behavior is not abnormal or worthy of expulsion. He describes teen girls’ experiments with sex, and these dramatized vignettes, interspersed with man-in-the-street interviews with young women about their attitudes and experiences, make a case for 60’s generation’s attitude of independence. The girls argue for telling the truth in the face of post-war German convention. In the end, will Renata be expelled or recognized as a girl from a new era?
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This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello’s mind.
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Sleasy “erotic horror movie”, a young pretty virgin, Helga (Marie Forså) arrives at a castle in Germany. In the castle’s basement, naked women, led by a bitch called Wanda, perform rites with penis shaped candles, while bongos are heard on the soundtrack. People staying at the castle engage in softcore bonking sessions.
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In 1913, on the night before Jane Porter’s wedding to John Clayton (also known as Tarzan), her bridegroom receives a disturbing vision of his childhood homeland in peril. Much to Jane’s distress, Clayton leaves for Africa to help. The educated explorer Nigel Ravens is seeking the legendary city of Opar, to plunder its ancient treasures. But then Jane decides to follow her fiancé, and he must protect her while trying to stop Ravens and his men.
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Bursting with imagination and having seen her share of tragedy and fantasy, Amélie is not like the other girls. When she grows up she becomes a waitress in a Montmartre bar run by a former dancer. Amelie enjoys simple pleasures until she discovers that her goal in life is to help others. To that end, she invents all sorts of tricks that allow her to intervene incognito into other people’s lives, including an imbibing concierge and her hypochondriac neighbor. But Amélie’s most difficult case turns out to be Nino Quicampoix, a lonely sex shop employee who collects photos abandoned at coin-operated photobooths.
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Sometime in the near future, set in an apocalyptic, dying world: Raoul and Raphaela, a young and arrogant upper class couple, are visiting an art exhibition of surrealistic paintings, hosted by a group of young anarchists in their bizarre Loft flat. After making love secretly in an empty back room, they suddenly find themselves caught by the aggressive Gang and being tortured both psychological and physical by their diabolical punk leader Furio, who blames “their likes” of being responsible for the war that destroys the earth.
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A middle-aged man is having problems trying to regain his sexual drive. He leaves behind his old life and tries to discover a simpler happiness through painting and meeting new friends. Wanting to save him from a sexless fate, his friend (director Carlos Tobalina in a supporting role) attempts to solve the mystery of his sexual shortcomings, through any means possible.
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Bernhard Wicki’s astonishing The Bridge was the first major antiwar film to come out of Germany after World War II, as well as the nation’s first postwar film to be widely shown internationally, even securing an Oscar nomination. Set near the end of the conflict, it follows a group of teenage boys in a small town as they contend with everyday matters like school, girls, and parents, before enlisting as soldiers and being forced to defend their home turf in a confused, terrifying battle. This expressively shot, emotionally bruising drama dared to humanize young German soldiers at a historically tender moment, and proved influential for the coming generation of New German Cinema auteurs.
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Christopher Lee plays the Lord Chief Justice of 17th century England who condemns women as witches to further his political and sexual needs.
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A young man (Félix Lajkó) returns to his village on the Danube delta after many years. Little is revealed about the time that has passed since his departure, but he is greeted by a stepfather he has never met before, as well as his mother and sister (Orsi Tóth)…
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A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband’s death, and finds herself not only under arrest for murder but falling in love with an officer…
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Germany in the early 1930s. Against the backdrop of the Nazis’ rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.
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