Tag Archives: english subtitles

A village girl goes to Tokyo and becomes a hooker to support her ailing mother. While there she meets an unmarried teacher (at least he says he’s unmarried) and falls in love. When she learns that he lied and is married to a woman whose child was fathered by another man, she is crushed. He returns to his wife. The woman becomes more distraught when she learns her uncle has misused the money she has sent. As the final straw, her mother dies, and the girl becomes sick.
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In a maelstrom of evil, can a new magistrate, samurai Mochizuki Koheita, with a reputation like an alley cat, bring order to the town of Horisoto, or is he, too a corrupt villain looking to gain wealth from the oppressed people?
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Like in many other Monicelli movies, the main theme of Amici miei is friendship, seen from a rather bitter point of view. It tells the story of four middle-aged friends in Florence who organize together idle pranks (called zingarate, “gypsy shenanigans”) in a continuous attempt to prolong childhood during their adult life…
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Once, Zeus created seven mighty thunderbolts that kept peace, but some other, rebellious Gods steal them, rendering Zeus powerless, creating chaos on Earth, and sending the Moon on a collision course with our planet. Two sisters named Urania and Glaucia speaks to the Little People and learns that only Hercules can save them, so, after hesitation, Zeus sends Hercules back from the stars to Earth to aid the humans, but the vengeful gods resurrect their own warrior, Hercules’ old foe King Minos. Hercules sets out to find the thunderbolts, which are hidden inside monsters….
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Vittorio (Enrico M. Salerno) is a 40-year-old journalist who reaches a mid-life crisis. His wife nags him constantly for ignoring her and their child. After his mistress dumps him, Vittorio returns to the town where he spent his childhood to reflect on the state of his life. Flashbacks are used to tell of Vittorio’s relationship with his parents as a child and the effects World War II had on his development.
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The film starts in the rural town of Shinshu in 1923. A widow, Tsune (O-Tsune) Nonomiya (Choko Iida), works hard at a silk production factory to provide for her only son, Ryosuke. When Ryosuke’s teacher Okubo (Chishu Ryu) persuades her to let her son continue to study beyond elementary school, she decides to support her son’s education even until college. Her son promises to become a great man…
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A late bloomer, 15-year-old Flo experiences his sexual awakening, relentlessly targeting his gorgeous classmate Leonie. Flos friends eagerly try to help him out. The only problem may be Leonies boyfriend.
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A demon bestows on a self-righteous working photographer’s camera the power to smite from the Earth “evil-doers”. Naturally, the indignant photographer turns his new weapon on, one by one, his entire village, beginning with the wealthy or illustrious. Soon, the poor he is so supposedly so enamored of become his victims too, so rife with impatience and contempt is he, that the slightest flaw is cause for smiting. Inevitably, he embarks on a task to destroy everyone.
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‘Yellow Earth’ focuses on the story of a communist soldier who is sent to the countryside to collect folk songs for the Communist Revolution. There he stays with a peasant family and learns that the happy songs he was sent to collect do not exist; the songs he finds are about hardship and suffering. He returns to the army, but promises to come back for the young girl, Cuiqiao, who has been spell-bound by his talk of the freedom women have under communist rule and who wants to join the Communist Army.
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Acclaimed Nikkatsu studio pinku eiga filmmaker Chusei Sone directed this action-packed softcore melodrama concerning a group of female ninjas who use sexual magic along with their considerable fighting skills to protect their province from takeover by a ruthless shogun and his band of fighters.
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Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father’s wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe’s friends and the police off the trail.
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The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production – performed to great critical acclaim, but only rarely seen live by audiences outside Poland – was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.
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At a party, someone goes insane and murders three women. Falsely accused of the brutal killings, Jerry is on the run. More bizarre killings continue with alarming frequency all over town. Trying to clear his name, Jerry discovers the shocking truth…people are losing their hair and turning into violent psychopaths and the connection may be some LSD all the murderers took a decade before.
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This drama takes the form of a story told using documentary material as an intrinsic part of the narrative. In this journey through the dark side of 1950s urban life, the camera follows Judith – a newly divorced woman looking for a fresh start – through the streets of Los Angeles as she encounters the strange denizens of the city, ranging from trendsetters to religious fanatics. All the tawdry and desperate faces of this world become a mirror for Judith’s personal failures and struggles to claim her new life.
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When a gifted but washed-up screenwriter with a hair-trigger temper – Humphrey Bogart, in a revelatory, vulnerable performance – becomes the prime suspect in a brutal Tinseltown murder, the only person who can supply an alibi for him is a seductive neighbor (Gloria Grahame) with her own troubled past. The emotionally charged In a Lonely Place, freely adapted from a Dorothy B. Hughes thriller, is a brilliant, turbulent mix of suspenseful noir and devastating melodrama, fueled by powerhouse performances. An uncompromising tale of two people desperate to love yet struggling with their demons and each other, this is one of the greatest films of the 1950s, and a benchmark in the career of the classic Hollywood auteur Nicholas Ray.
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