Tag Archives: english subtitles

After a night of partying in a mansion with a swimming pool, teenager Tina starts to experience weird things. She hallucinates a violent deja-vu, and hears discomforting sounds. At home she is haunted by a mysterious creature that only she can see. The film suggest several explanations for her visions. Is she overly tense? Psychotic? Drugged? Jealous? Her parents and friends seem to think she is going through a phase. Tina is convinced that the creature is for real, and she starts identifying with in a way that prompts her parents to take drastic measures on her behalf.
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This groundbreaking drama, one of few to feature gay lifestyles in a Japanese context, is the work of writer, editor, cinematographer, director and co-star Hiroyuki Oki, an avant-garde filmmaker. In the liberal enclave of Kochi City, Japan, a gay college student, You (pronounced using two syllables as “Yo-ooh”), is living a contented life with his lover and classmate. Then he spies an attractive young man at a train station, and their meeting leads to a subsequent sexual encounter. Although You confesses his infidelity to his boyfriend and even seeks the advice of an ex-lover, he does not completely break off his new relationship, leading to a love triangle that forces each of the men to question his sexuality and identity. Running barely one hour long, I Like You, I Like You Very Much (1995) was short for a feature-length film but earned critical respect for tackling what remains an extremely sensitive cultural issue in its home country.
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Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister?
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In good old days Franz Maurer and his partners from secret police used to live like kings. Now, they all must adapt to new post-communist environment where they are scorned and losing all the privileges. Some, like Franz, are like ordinary police fighting against drug dealers. But Franz would soon find that some of his friends are on the other side.
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A social movie about current life in the north of France. Freddy and his friends are all unemployed. They pass away time by wandering around on their motorcycles and by directing their aggressive feelings towards Arab immigrants. Freddy is in love with Marie, a cashier at a local supermarket. When she is proposed to by Kader, a young Arab man, Freddy and his friends have an idea: they decide to punish Kader for what they call “such a provocation.” After they have raped another girl, Marie finally commits to Kader, which seals his fate.
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Recently escaped from reformatory, young Reinaldo struggles to get by in the streets of Havana in the late 90s, one of the worst decades for Cuban society. Hopes, disillusionment, rum, good humor and above all hunger, accompany him in his wanderings, until he meets Magda and Yunisleidy, survivors like himself. In one or the other’s arms, he will try to escape the material and moral misery surrounding him, living love, passion, tenderness and uninhibited sex to the limit.
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An English mother and teenage son spend a week in the South of France breaking up a summer home that has become one of the casualties of the boy’s parents’ crumbling marriage. Matters only become more complicated when an enigmatic local boy enters their lives.
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A youth group is preparing for what the summer of their lives will be, including secrets, lies, pickups, sex, confusion, and especially great night party. Most teenagers are not aware that once you begin this journey of initiation, you can not turn back, and often the lies will become increasingly large, and sometimes love means to hurt.
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Set in the time of Napoleon wars, shows how the wars swept over the unfortunate Polish country at the beginning of the XIX-th century. Story revolves around the Polish legion under command of General Dabrowski, who then fought on Napoleon’s side with the hopes of Poland’s revival.
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As a twelve-year-old boy, Nicola de Leo already knew she wanted to become a woman. Today, the now forty-year-old transsexual lives in Venice and has changed her name to Nicole. She has undergone a hormone treatment and grown breasts, but she still lives inside the body of a middle-aged man, including a penis, a beard and a substantial Adam’s apple. This is why Nicole is applying for a sex change through official channels. ‘I never thought it would be so hard. I thought making the decision was enough,’ she says. During five tense years, Nicole fights her emotional and physical struggle in the presence of director Alberto Vendemmiati’s camera. Working as an actress, a seller of carnival masks and a prostitute, she finances her cosmetic treatments and looks forward to the subsidised sex change operation. Meanwhile, she turns to her elderly mother for support, who has a hard time accepting that her son will soon be a daughter.
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Fanny lives with her brother and his girlfriend in their long time dead parents’ house. Fanny needs some medication so that her behaviour doesn’t bring too much tension to herself and to closed ones.
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Louise Traon never films Manoel De Oliveira directly. Instead, she chooses to avoid him, skirt round him, skim past him and keep her distance, yet all the while drawing close to the art of cinema itself, homing in on its very essence. Her film tells the story of a girl who grew up with the images of an old gentleman, and who now wants to show her own images. This touching self-portrait gives insight into a man who appears to have lived many lives, showing his work through a remarkable link with time.
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In New York, after seven years in prison, the lawyer Max Monetti goes to the bank of his brothers Joe, Tony and Pietro Monetti and promises revenge to them. Then he visits his lover Irene Bennett that asks him to forget the past and start a new life. Max recalls the early 30s, when he is the favorite son of his father Gino Monetti, who has a bank in the East Side. Gino is a tyrannical and egocentric self-made man that raises his family in an environment of hatred and Max is a competent lawyer engaged with Maria Domenico. When Max meets the confident Irene, he has a troubled love affair with her. In 1933, with the new Banking Act reaches Gino for misapplication of funds. Max plots a plan to help his father but is betrayed by his brothers. Now Max will see his brothers that have also being raised under the motto “Never Forgive, Never Forget”.
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After the events of May 1968, the French went on vacations – and they were filmed during three months on the rural fairs, on the beaches, on promotional campaigns for products and politicians. And they spoke to the director’s candid camera on a variety of subjects – from man walking on the moon to eroticism, from advertisement to marriage…
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A man has everything: dozens of servants, a palace, vast woods, gardens, a lake, mechanical toys, private entertainment troupes of musicians and dancers. He has it all – but love. When alone, he sits at a desk, sighing, and looking at a photograph of a pretty girl. One day, the circus descended onto his palace, and amidst all the fun it brought, he recognized the Amazon on the white horse – the girl in the photograph. The girl is now the mother of a small boy, Yo-Yo, whom she considers that looks like the millionaire, even under a clown’s make-up. The boy will spend some time in the palace, in awe of so much riches, but he will leave (in a dream-like scene) on the tusks of the elephant. Time passes – and one day Yo-Yo will be the owner of his father’s palace in decay. Starting from scratch, he will rebuilt it, and be praised as a great clown, an artist, a film-maker, a millionaire.
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