Tag Archives: Danny Kaye

The Man from the Diners’ Club (1963) Frank Tashlin, Danny Kaye, Cara Williams, Martha Hyer, Comedy

August 13, 2016 Comedy

The Man from the Diners' Club (1963)
Mobster Foots Pulardos, who operates a health gym as a front, plans to flee to Mexico to evade government tax officials. His girl friend, Sugar Pye, suggests that he first arrange for the cremation of a man having his own peculiar identifying characteristic–feet of different sizes–and then apply for a Diners’ Club card for use in paying his fare. The request for the credit card comes to the desk of Ernie Klenk, a timid clerk. Nervous about his forthcoming marriage to the boss’s secretary, Lucy, Ernie inadvertently okays the application, then, discovering his mistake, rushes to the health gym to recover the club card he has issued.
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On the Double (1961) Melville Shavelson, Danny Kaye, Dana Wynter, Wilfrid Hyde-White, Adventure, Comedy, War

August 1, 2016 Adventure, Comedy, War

On the Double (1961)
American GI Ernie Williams, admittedly weak-kneed, has an uncanny resemblance to British Colonel MacKenzie. Williams, also a master of imitation and disguise, is asked to impersonate the Colonel, ostensibly to allow the Colonel to make a secret trip East. What Williams is not told is that the Colonel has recently been a target of assassins. After the Colonel’s plane goes down, the plan changes and Williams maintains the disguise to confuse the Nazis about D-Day.
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The Five Pennies (1959) Melville Shavelson, Danny Kaye, Barbara Bel Geddes, Louis Armstrong, Biography, Drama, Music

March 23, 2016 Biography, Drama, Musical

The Five Pennies (Melville Shavelson, 1959)
Loring “Red” Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise’s band, but quits to pursue his dream of playing Dixieland jazz. He forms the “Five Pennies” which features his wife, Bobbie, as vocalist. At the peak of his fame, Red and Bobbie’s daughter, Dorothy, develops polio. Red quits the music business to move to Los Angeles where the climate is better for Dorothy. As Dorothy becomes a young teen, she learns of her father’s musical past, and he is persuaded to open a small nightclub which is failing until some noted names from his past come to help out.
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