Tag Archives: Alida Valli

The Third Man (1949) Carol Reed, Orson Welles, Joseph Cotten, Alida Valli, Film-Noir, Mystery, Thriller

the-third-man-1949
An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime’s friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.
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Walk Softly, Stranger (1950) Robert Stevenson, Joseph Cotten, Alida Valli, Spring Byington, Crime, Film-Noir, Drama

walk-softly-stranger-1950
A charming, smooth-talking gambler calling himself Chris Hale arrives in Ashton, home of the Corelli shoe factory. Claiming to have lived there as a boy, he soon ingratiates himself with the townspeople… including attractive heiress Elaine Corelli, wheelchair-bound since a recent accident. Chris, hoping to leave crime behind, seems to have excellent prospects; but of course, his past catches up with him…
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Les yeux sans visage / Eyes Without a Face (1960) Georges Franju, Pierre Brasseur, Alida Valli, Juliette Mayniel, Drama, Horror

Les yeux sans visage AKA Eyes Without a Face (1960)
After causing an accident that left his daughter Christiane severely disfigured, the brilliant surgeon Dr. Génessier works tirelessly to give the girl a new face. He does so however by kidnapping young women and attempting face transplants. He has been woefully unsuccessful to date. The doctor’s world begins to collapse around him when his daughter realizes just what he has been doing.
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La vita ricomincia / Life Begins Anew (1945) Mario Mattoli, Alida Valli, Fosco Giachetti, Eduardo De Filippo

La vita ricomincia (1945)
When former POW, Paolo, returns from India to his middle-class home in Rome at the end of the war, he is relieved to find his wife, Patrizia, and young son alive, managing to get by thanks to Patrizia’s business in lampshades. They also enjoy the moral support of the jovial, elderly Neapolitan widower, who is their new neighbour, Il professore. However disaster strikes when Patrizia commits a murder – her response to a mysterious man’s attempt to blackmail her to have sex with him. Paolo discovers that during his absence, in the face of their son’s desperate need for a life-saving operation, Patrizia prostituted herself once to the murdered man to raise the funds, a sequence revealed through a flashback sequence…
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