A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother knows all about it and tries at all costs to find her daughter a good candidate for a husband. The whole situation is controlled by the grandmother, an eccentric lady with a sharp tongue from whom no secret can be concealed. Successive admirers arrive at the pre-war tenement where the women live, but Sabina is interested in none of them. One day, appearing out of nowhere, comes the charming, intelligent, and terribly good-looking Bronislaw. His presence will spark off a series of unexpected events revealing the darker side of the women’s nature.
Tag Archives: 2000s
A film poem inspired by the Peruvian poet César Vallejo. A story about our need for love, our confusion, greatness and smallness and, most of all, our vulnerability. It is a story with many characters, among them a father and his mistress, his youngest son and his girlfriend. It is a film about big lies, abandonment and the eternal longing for companionship and confirmation.
On the surface Henrik and Nina Christofferson are an ordinary family living happily. But they have a problem. Their daughter, Stine, a difficult 14 year old, has a habit of telling lies in class. When Stine accuses her father of sexual abuse, and is believed by seemingly eager social workers, their family is thrust into crisis. Could Henrik have done it? And when Stine prepares to return home, the ugly side of family life is exposed.
At the top of the rugged Bosnian mountain, young shepherd Mehmed patiently watches over his cows and lovingly carves the figure of a woman in a piece of wood. Almost on cue, a novice paraglider unexpectedly falls from the sky. Deborah speaks only French and he speaks only Bosnian, but they tentatively communicate, and she accepts the hospitality offered by Mehmed’s mom: a bed and a meal of “mountain-style” tripe. Love soon bridges the cultural divide, and the story develops into a series of hilarious escapades showcasing the beautiful landscape and local sounds
A Parisian valet loves a woman who rejects him: she’s in debt to open a bookshop, and he’s not her ideal man. A billionaire two-times his wealthy wife with his beautiful mistress, a young supermodel. To draw the paparazzi and his wife off the trail of adultery, and to give his lawyer time to arrange a divorce that won’t cost him a fortune, the billionaire pays the supermodel and the valet to pretend for a month to be a couple. Within days, the bookshop owner and the billionaire are jealous, the supermodel experiences life with a nice guy, and the valet has status and self-confidence. What will each do with newfound wisdom?
It is 1961 and an Albanian student (Nik Xhelilaj) of the Academy of Performing Arts in Prague, together with a group of Czech students, is shooting his graduate movie on a motorcycle factory, in the small market-town of ?eský Šternberk, in then Czechoslovakia. Coming from a country that is completely isolated from the rest of Europe, he is fascinated by the lifestyle, society and “erotic exuberance” of the Czech golden youth, yet feeling strong links with his family in his homeland. He falls in love with a married woman (Anna Geislerová), the wife of a police superintendent (Paolo Buglioni) and is insecure about his future.
It is 1912 and war looms on the horizon. The school year begins in a boarding school run by priests. Zoltán’s father, is one of the masters and struggling with questions that challenge their faith, while waiting for news of his brother, Titanic passenger, and is a particularly problematic group of new students, many of whom have been fond increasingly heavy play each other jokes. The arrival of Father Weigl, hired to teach physical education and decided to act when it sees pranks have gone too far, will bring alarming consequences.
When the critically acclaimed, tough and coming of age actress Thea Barfoed ends her rehab, she confronts a hard choice. During her heavy drinking period she divorced and lost custody of her two boys. Now she wants them to be a part of her life again. Christian, her ex husband is quickly softened by her tough manipulative but charming figure and agrees. She has to prove to her self and to him, that she is worth the try. But the hard life on stage, and the ghosts of the past slowly comes knocking on her door. Thea is forced to face her inner voices. She is bound to give in to her faith, and make the choice.
This documentary captures the life story of legendary Hollywood producer and studio chief Robert Evans. The first actor to ever to run a film studio, Robert Evans’ film career started in 1956, poolside at the Beverly Hills Hotel. His good looks, charm and overwhelming confidence captured the eye of screen legend Norma Shearer, who offered him a film role. After a glamorous–but short-lived–career as a movie star, Evans tried out producing. At the age of 34, with no producing credits to his name, he landed a job as chief of production at Paramount Pictures. Evans ran the studio from 1966-1974. During his tenure, he was responsible for such revolutionary films as The Godfather, Rosemary’s Baby, Love Story, The Odd Couple, Harold and Maude and Chinatown. By the early ’80s, the Golden Boy of Hollywood was losing his luster. After a failed marriage to Ali MacGraw, a cocaine bust and rumored involvement with the Cotton Club murder, he disappeared into near-obscurity.
Simon, a Toronto high school student, has been raised by his maternal Uncle Tom since Simon’s parents, Rachel and Sami, died in a car accident eight years ago. Tom, a tow truck driver, decided to move to the city into Rachel’s house and assume the mortgage, something he could ill afford, largely not to disrupt Simon’s life, but equally to get away from his and Rachel’s father, Morris, an openly bigoted man. That upbringing has made Tom a sullen and angry man. Morris only recently passed away. Rachel and Sami met when she, a violinist, brought her instrument in to be serviced, Sami the repairman. Simon now owns his mother’s expensive violin, which Tom would like to sell to help pay the mortgage and Simon’s imminent university tuition. One day at school, Simon’s French teacher Sabine reads a French newspaper story from several years ago as a translation exercise for the class, the story about a pregnant woman traveling to Israel, her then boyfriend who, unknown to her, planted a bomb in…