Tag Archives: 2000s
Voy a explotar / I’m Gonna Explode (2008) Gerardo Naranjo, Juan Pablo de Santiago, Maria Deschamps, Martha Claudia Moreno
Tale of a young couple who throw caution to the wind and set out in search of their true fate. Román is the son of a contemptible, right-leaning congressman. Recently enrolled in a new high school, the rebellious teen clumsily attempts to hang himself on-stage at the big talent show. Maru is the sole member of the audience to applaud, earning both students a day of detention. After bonding during the course of their punishment, Román and Maru grab daddy’s gun, steal a Volkswagen, and hit the road bound for nowhere.
The struggles of an artist. Jang Seung-up (1843-1897), also called Owon, focusing on the years 1882 to 1897, when Korea was in political upheaval, caught between China and Japan, the conservative dynasty dying, and peasant revolt at hand. Jang, born poor, has genius; a merchant, Kim, becomes his patron, finding him a teacher. Jang must convince others that a commoner can have talent, then move beyond his ability to copy old masters and find his own style. He’s bedeviled by a temper and alcohol, arguments with patrons as he seeks commissions, and relationships with kisaeng, particularly Mae-hyang, that start and stop. It’s the life of a restless spirit producing great art.
On board at the boat Kanikosen, where fish and crabs preserves, forced workers to work under miserable conditions, with minimum wages. Some can not cope with conditions and even death from malnutrition, and is also the supervisor of the more vicious variety. Shinjo, one of the employees, trying to convince the others that they will get good luck and fortune in his next life, and persuades them because they commit suicide to get there faster. It ends, however, in a single major failure. Rather than flee Shinjo being picked up by a Russian ship. Once there, he is overwhelmed by the social conditions that are completely different from those he has just left and decided therefore to return to Kanikosen to save their employees.
Mongryong marries the beautiful Chunhyang without telling his father, the Governor of Namwon. When his father is transferred to Seoul, Mongryong has to leave Chunhyang and finish his exams. Chunhyang, being the daughter of a courtesan, is also legally a courtesan. She is beaten and imprisoned when she refuses to obey the new Governor Byun, as she wishes to be faithful to her husband. After three years, Mongryong passes his exam and becomes an emissary to the King. He returns to Namwon, disguised as a beggar, just before Chunhyang is to be flogged to death at the governor’s birthday celebration.
A man wakes up alone in a brightly illuminated white room with no windows or doors. When he presses a mysteriously phallic protuberance that appears on one wall, a pink toothbrush materializes from nowhere, clattering to the floor and setting in motion a genuinely bizarre chain of events. Soon the imprisoned man is engaged in absurd and hilarious attempts to escape the gleaming room, releasing random objects from the walls, creating a life sized mouse trap game in which a rope, a toilet plunger and an earthenware jug full of sushi might just be the keys to his escape. Meanwhile, in a dusty town, a green masked Mexican wrestler known as Escargot Man prepares for an important match. His family gathers around him, worried about his seeming impassivity before battle.
In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie “Romania’s Independence” – an as faithful as possible screen adaptation of the real Independence War that had been fought in 1877. Now, “Restul e tacere” tells us, in a loose and half-fictionalized way, the story of this movie making.
Near the end of World War II, 14-year-old Michiel becomes involved with the Resistance after coming to the aid of a wounded British soldier. With the conflict coming to an end, Michiel comes of age and learns of the stark difference between adventure fantasy and the ugly realities of war.
This is a story of strange, impossible, inexplicable love between a Muslim Turk woman and a non-Muslim Bulgarian man. Ivan (the Bulgarian) is a pure and romantic young fellow, who gets caught up in the so-called “regeneration process” (when ethnic Turks’ names were forcibly changed to Bulgarian ones). He is responsible for the official seals, which is required to issue the new identity documents after the forced name changes. The schoolteacher Ayten tries to steal the seals, thinking that this way she can slow down the ethnic genocide. Their unexpected and unusual meeting brings these two characters together and makes them fell close, forcing Ivan to take a fateful decision -he must either “rename” Ayten, or face the consequences if he does not. Later on fate bring them together once again. Ayten’s small child is killed during an action by the special forces. Ivan, who has been among the main participants of this action is paralyzed with shock.