Tag Archives: 1970s

Zulu Dawn (1979) Douglas Hickox

Zulu Dawn (1979)
In 1879 South Africa, the administrators of the British Cape Colony have designs to eliminate the Zulus as a hindrance to their colonial economy. To that end, the British present King Cetshwayo with an impossible ultimatum to provoke a war they are sure they can win easily with their rifles and artillery against native spears. However, that war proves more difficult than the arrogant British commander, Lord Chelmsford, expects as his overburdened army fruitlessly searches for the elusive enemy. However, in the shadow of a hill called Isandlwana, the overconfident British army learns to its sorrow just how badly they have underestimated the tactical skill and might of the Zulu nation.
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J’irai comme un cheval fou / I Will Walk Like a Crazy Horse (1973) Fernando Arrabal

J'irai comme un cheval fou (1973)
When his mother dies, the police want to talk to Aden Rey, but Aden, a guilt-ridden epileptic, has left for the desert. There he comes upon Marvel, a noble savage. Aden, Marvel, and Marvel’s goat become companions through travels, a wedding, an examination of Aden’s role in his mother’s passing, a trial, additional deaths, and various meals. There are also flashbacks to Aden’s childhood and his relationship to his mother. Meanwhile, the police step up their efforts to find Aden.
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The Driller Killer (1979) Abel Ferrara, Carolyn Marz, Baybi Day, Horror, Thriller

The Driller Killer (1979)
Reno is an artist struggling to survive in NYC. He draws inspiration from scenes of daily street life and occasional random violence. Under pressure to finish his oft-delayed grand masterpiece, his psychotic alter-ego takes over and he begins killing random vagrants to boost his creativity, not quite realizing that it is happening in reality. When an art dealer grimly rejects Reno’s finished masterpiece, Reno’s mental condition quickly deteriorates.
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Ciao! Manhattan (1972) John Palmer, David Weisman, Edie Sedgwick, Wesley Hayes, Isabel Jewell, Biography, Drama, Romance

Ciao! Manhattan (1972)
Ciao! Manhattan is the semi-biographical tale of 1960s counterculture icon Edie Sedgwick. Ciao! follows young Susan Superstar (Sedgwick) through her tumultuous party years in Manhattan as one of Warhol’s Superstars. Through actual audio recordings of Sedgwick’s account of her time in Warhol’s Factory in New York City, paired with clips from the original unfinished script started in 1967, Ciao! captures the complete deterioration of Sedgwick’s fictional alter-ego. The striking similarities between Sedgwick and Susan’s life story, especially when recounted by Sedgwick in the midst of drug-induced audio interviews, make the film’s candid depiction of excess and celebrity especially haunting. The film is dedicated to the memory of Sedgwick and ends with the actual headlines announcing Sedgwick’s (not Susan Superstar’s) death, thus inseparably associating the fictional and the genuine figure.
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Welcome to L.A. (1976) Alan Rudolph, Keith Carradine, Sally Kellerman, Geraldine Chaplin, Drama, Music, Romance

Welcome to L.A. (1976)
This mosaic comedy-drama tells the story of a La Ronde-like circle of romantic adventures and failed affairs centered around a songwriter named Carroll Barber and his father Carl Barber. There is a trail of Carroll’s past relationship spread throughout the city of Los Angeles. Barber is an aloof womanizer who cannot commit to any relationship, and is used to illustrate the loneliness of Los Angeles big-city life. Among the women in his life are Ann Goode, a lonely real estate agent, Karen Hood, a Valley housewife addicted to taxi rides, Linda Murray, a woman prone to vacuuming in the nude and Nona Bruce, the snapshot-taking mistress of a wealthy man.
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