Tag Archives: 1960s

A Japanese woman is raped by her boyfriend day in day out.
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Neurotic woman engages in an affair with the law partner of her impotent husband.
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A stripper is horribly disfigured in a car accident. A brilliant scientist develops a treatment that restores her beauty and falls in love with her. To preserve her appearance the doctor must give her additional treatments using glands taken from murdered women. His unexplained ability to turn into a hideous monster helps with this problem but does nothing to win her love. The doctor’s woes multiply as the police and the girl’s boyfriend begin to close in on him.
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The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 – Childhood, 2 – Adolescence, 3 – Virginity, 4 – Marriage, 5 – Adultery, 6 – Divorce, 7 – The Single Woman.
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Three American lovelies room together in Madrid and all manage to get themselves into seemingly unhappy relationships with fellows.
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French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda and Lola Albright. The two women move him to a Gothic mansion owned by Albright, a millionaires with a Salvation Army complex. Fonda, her cousin, is hot for him and repeatedly attempts to seduce him while someone is attempting to poison him; and his murderous former associates have got wind of his whereabouts.
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Benson, is a Casanova who despises women and invents all sorts of tricks to bed them and leave them. His favorite one is going through Germany posing as an American GI of Teunonic extraction. Whenever he spots a girl he likes, he takes a Polarod picture of her house, knocks on the door waving the photo and pretending to be on a pilgrimage to this very cottage his grandmother so vividly described. It is an infallible system for a hit-and-run seduction. Benson seems content with his game until he meets Jamison, a real operator who has learned to combine sex with money. Jamison poses as an exiled prince and not only gets women to share his bed but also to bestow their jewels on him for the sake of the counterrevolution. Benson decides to corner Jamison’s market on sex plus finance. A contest develops, and whoever wins will dominate a small Riviera resort as “King of the Mountain,” the film’s original title. Remade in 1988 as “Dirty Rotten Scoundrels.”
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In and around the castle Camelot, brave Cornel Wilde (as Lancelot) and virtuous Brian Aherne (as King Arthur) vie for the affections of lovely Jean Wallace (as Guinevere).
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Rural France, the 1890s. Always in motion, Augustin wanders three times. First, as a youth, while a boarder near Bourges, he’s lost in the woods and finds a chateau where an engagement party’s in progress: there he falls eternally in love with Yvonne and she with him. Back at school, he hears she is in Paris, so he follows in a vain search and meets a woman, jilted by her lover. In the countryside a few year’s later, Augustin’s friend François finds Yvonne and brings Augustin to her. They marry, but the next day, Augustin leaves to fulfill a youthful promise he made to Yvonne’s brother. François comforts the pregnant Yvonne as they await Augustin’s return.
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After a near fatal car crash and three weeks in a coma, a man awakens to a new life, attempting to search for his true identity after suffering amnesia. The more he remembers, the more dangerous it gets.
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Miss Marple investigates the murder of one of her fellow trustees of a fund which rehabilitates young criminals. To investigate she goes aboard the ship used to train the juveniles, much to the distress of the Captain. She soon stumbles onto more murders, and a ring of thieves.
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Old miss Marple is on a train ride when she witnesses a murder in a passing train. She reports it to the police but they won’t believe her: since no body can be found there can’t have been any murder, right? As always, she begins her own investigation. The murder was committed while passing Ackenthorpe Hall and miss Marple gets herself a job there, mixing cleaning and cooking with searching the house for clues.
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Three disparate travelers, a disillusioned preacher, an unsuccessful prospector, and a larcenous, cynical con man, meet at a decrepit railroad station in the 1870s Southwest. The prospector and the preacher were witnesses at the singularly memorable rape and murder trial of the notorious Mexican outlaw Carasco. The bandit duped an aristocratic Southerner into believing he knew the location of a lost Aztec treasure. The greedy “gentleman” allows himself to be tied up while Carasco deflowers his wife. These events lead to the stabbing of the husband and are related by the three eyewitnesses to the atrocity: the infamous bandit, the newlywed wife, and the dead man through an Indian shaman. Whose version of the events is true? Possibly there was a fourth witness, but can his version be trusted?
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Two Lieutenants, Chard of Engineers and Bromhead find that their 140 man contingent in Natal has been isolated by the destruction of the main British Army column and that 4,000 Zulu warriors will descend on them in hours. Each has a different military background in tactics and they are immediatly in conflict on how to prepare for the attack. Nearly a third of the men are in the infirmary, as the welsh company tries to somehow survive with no help in sight. Based on a true story.
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Raised by their Bible-obsessed, invalid mother, seven children care for her and one another in a gloomy Victorian house. The mother dies, and the children, terrified of being separated and even more terrified of the outside world, build a graveside shrine to her in the backyard and carry on as if nothing has happened. When their long-lost father shows up, he seems to fall in with their plans. Then the children begin to realize he has a different plan altogether.
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