Tag Archives: 1950s

On 24 October 1955, the hard-work geologist of the Hadley Oil Company Mitch Wayne meets the executive secretary Lucy Moore in the office of her boss Bill Ryan in New York and invites her to go to a conference with the alcoholic playboy and son of a tycoon Kyle Hadley. On the way of the meeting, he confesses that they had traveled from Houston to New York to satisfy the wish of the reckless Kyle, who is his best friend since their childhood, of eating a sandwich from club 21 and the meeting was just a pretext to Kyle’s father Jasper Hadley. Mitch and Kyle immediately fall in love for Lucy, and Kyle unsuccessfully uses his money to impress Lucy; then he opens his heart and proposes Lucy. They get married and travel to Acapulco and the insecure Kyle stops drinking. Meanwhile, Kyle’s sister Marylee is an easy woman and has a non-corresponded crush on Mitch that sees her as a sister. One year later, Kyle discovers that he has a problem and might be sterile and starts drinking again.
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In 1973, the first manned expedition to Mars is marooned; by the time a rescue mission arrives, there is only one survivor: the leader, Col. Edward Carruthers, who appears to have murdered the others! According to Carruthers, an unknown life form killed his comrades during a sandstorm. But the skeptical rescuers little suspect that “it” has stowed away for the voyage back to Earth…
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Ex-tennis pro Tony Wendice (Ray Milland) wants to have his wealthy wife, Margot (Grace Kelly), murdered so he can get his hands on her inheritance. When he discovers her affair with Mark Halliday (Robert Cummings), he comes up with the perfect plan to kill her. He blackmails an old acquaintance into carrying out the murder, but the carefully-orchestrated set-up goes awry, and Margot stays alive. Now Wendice must frantically scheme to outwit the police and avoid having his plot detected.
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In this film based on John Steinbeck’s epic novel, Cal Trask (James Dean), the son of a California farmer (Raymond Massey), feels that his father cares only about his brother, Aron (Richard Davalos). When Cal embarks on a business venture to gain the favor of his dad, he finds himself dealing with his estranged mother (Jo Van Fleet), now the owner of a brothel, and tensions in the family rise even further when he begins to fall for Aron’s girlfriend, Abra (Julie Harris).
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Poland, during the World War. Lotna is a magnificent specimen of Arabian horse, the pride of her owner, too old to actually ride her but to whom she remains faithful nevertheless. The Polish cavalry army is also proud of their land, and loyal to rules, and custom. The German army is leading an overwhelming speed attack with tanks, an almost unheard of weapon, and bringing a way of life to an end. It’s the last battle between Lotna (speed horse) and Blitzkriega (speed war).
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Given a bigger budget than usual, cult director Edgar G. Ulmer rises to the occasion in The Naked Dawn. Filmed in Mexico, the story focuses on a poor but proud farmer named Manuel (Eugene Iglesias) and his wife Maria (Betta St. John). When glib-tongued drifter Santiago (Arthur Kennedy) tries to get Manuel mixed up in a train robbery, the farmer is at first resistant, but is goaded into joining Santiago by the covetous Maria. Corrupted by the prospect of untold wealth, Manuel begins plotting the murder of Santiago; meanwhile, Maria makes plans to bump off Manuel and run off with the handsome stranger. There’s a moral in all this, and Ulmer makes certain that we don’t miss it.
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A quartet of international crooks – Peterson, O’Hara, Ross and Ravello – is stranded in Italy while their steamer is being repaired. With them are the Dannreuthers. The six are headed for Africa, presumably to sell vacuum cleaners but actually to buy land supposedly loaded with uranium. They are joined by others who apparently have similar designs.
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A cavalry officer, the sole survivor of an Indian attack, and a wagon load of prisoners travel through hostile Indian country.
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Sailing to Baghdad after a narrow escape from the monster island of Colossa, the wedding plans of legendary hero Sinbad (Kerwin Mathews) and Princess Parisa (Kathryn Grant) are spoiled by the scheming sorcerer Sokurah (Torin Thatcher). In return for his previous help with the cyclops on Colossa, Sokurah demands that Sinbad retrieve a lamp he lost on the island. When Sinbad refuses, the conjurer shrinks Parisa, forcing the sailor and his crew back to the high seas in order to save her.
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Jordan ‘Bick’ Benedict Jr., is a wealthy landowner and cattle rancher who marries a spoiled and wealthy Virginian woman. When the two return to his cattle empire in Texas, conflicts around race, class and changing traditions including former cowboy and now rich oil tycoon Jett Rink rise to epic proportions through the years and test the unity of the family and surrounding community.
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Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him every break he deserves. Romantic complications arise as Susan, another singer in the group, offers him devoted admiration as Glenda leads him on with promises of a golden future.
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Retired, wealthy sea Captain Jame McKay arrives in the vast expanse of the West to marry fiancée Pat Terrill. McKay is a man whose values and approach to life are a mystery to the ranchers and ranch foreman Steve Leech takes an immediate dislike to him. Pat is spoiled, selfish and controlled by her wealthy father, Major Henry Terrill. The Major is involved in a ruthless civil war, over watering rights for cattle, with a rough hewn clan led by Rufus Hannassey. The land in question is owned by Julie Maragon and both Terrill and Hannassey want it.
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Disillusioned and exhausted after a decade of battling in the Crusades, a knight (Max von Sydow) encounters Death on a desolate beach and challenges him to a fateful game of chess. Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning, The Seventh Seal (Det sjunde inseglet), was one of the benchmark foreign imports of America’s 1950s art-house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.
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Rose Loomis (Marilyn Monroe) and her older, gloomier husband, George (Joseph Cotten), are vacationing at a cabin in Niagara Falls, N.Y. The couple befriend Polly (Jean Peters) and Ray Cutler (Casey Adams), who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.
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Enigmatic gunslinger Shane (Alan Ladd) rides into a small Wyoming town with hopes of quietly settling down as a farmhand. Taking a job on homesteader Joe Starrett’s (Van Heflin) farm, Shane is drawn into a battle between the townsfolk and ruthless cattle baron Rufus Ryker (Emile Meyer). Shane’s growing attraction to Starrett’s wife, Marian (Jean Arthur), and his fondness for their son Joey (Brandon de Wilde), who idolizes Shane, force Shane to realize that he must thwart Ryker’s plan.
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