Popular mailcoach driver Uncle Willie is in fact in league with the town’s crooked banker. They plan to have the bank robbed after emptying it, and when Willie’s choice for this doesn’t show in time, he gets some local boys to do it. When his man does turn up he decides to stick around, as he is pals with the sheriff and also takes a shine to Willie’s daughter Allison. This gives the bad men several new problems.
Tag Archives: 1940s
I Walk Alone (1948) Byron Haskin, Burt Lancaster, Lizabeth Scott, Kirk Douglas, Crime, Drama, Film-Noir
Frankie Madison returns to New York after 14 years in prison. Noll Turner, Frankie’s former partner in bootlegging, is now a wealthy nightclub manager, and Frankie is expecting him to honor a verbal ’50:50′ agreement they made when he was caught and Noll got away. Fat chance! Can Frankie, who knows only the strong-arm methods of Prohibition, win out against Big Business? It’ll be tough…even with the unlikely alliance of torch singer Kay (Noll’s ex-girlfriend).
Joe O’Hara, a hard fighter, wants the championship title for the money to finance the concert pianist career of his brother Mike, who also could be a good fighter. When Joe fights the title bout someone tells his opponent, Tiger Johnson, that one of his eyes is bad and Johnson works on it until Joe loses the fight and his eyesight. Mike is enraged and starts training for the ring. He works himself up to the title bout with Tiger Johnson.
Shiftless Jeeter Lester and his family of hillbilly stereotypes live in a rural backwater where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank’s plans to take over the land for more profitable farming; subplots involve the affairs and marriages of son Dude and daughter Ellie May.
Lady, Let’s Dance (1944) Frank Woodruff, Belita, James Ellison, Walter Catlett, Musical, Romance, War
Lady, Let’s Dance was a 1944 black and white film directed by Frank Woodruff that was nominated for two Oscars. Produced by Monogram Studios, the film is unique as an ice skating musical. Lady, Let’s Dance starred ice skaters Belita, James Ellison, Werner Groebli and Hans Mauch (more commonly known as ‘Frick & Frack’) and Walter Catlett.
A Southern Yankee (1948) Edward Sedgwick, Red Skelton, Brian Donlevy, Arlene Dahl, Comedy, History, War
Aubrey Filmore (Red Skelton) is a bumbling bellboy in a Missouri town who pesters the Union officers there; he desperately wants to be a spy for the North in the American Civil War. When Filmore accidentally waylays an infamous Confederate spy known as “The Grey Spider” and is mistaken for him by the Rebels, the Union brass see it as an opportunity for real espionage – and though Filmore is a coward as well as a fool, his real motivation for derring-do is a sweet Southern girl named Sallyann, whom he will see again behind Southern lines.
Suspecting that a safari guide is a wanted killer, undercover policeman Geoffrey Bishop joins a safari led by the suspect for a scientist that hopes to find and prove that a fabled white gorilla is a missing link.
The Strange Love of Martha Ivers (1946) Lewis Milestone, Barbara Stanwyck, Van Heflin, Lizabeth Scott, Drama, Film-Noir, Romance
In 1928, young heiress Martha Ivers fails to run off with friend Sam Masterson, and is involved in fatal events. Years later, Sam returns to find Martha the power behind Iverstown and married to “good boy” Walter O’Neil, now district attorney. At first, Sam is more interested in displaced blonde Toni Marachek than in his boyhood friends; but they draw him into a convoluted web of plotting and cross-purposes.
A Scandal in Paris (1946) Douglas Sirk, George Sanders, Signe Hasso, Carole Landis, Adventure, Crime, Romance
The autobiography of elegant criminal, François Eugène Vidocq, from his birth in a French jail in 1775 to his appointment as chief of police of Paris where he intends to rob the city bank. Along the way, he escapes from jail with Emile, who becomes his partner in crime, poses as a lieutenant to rob a showgirl of her ruby garter, and steals the jewels of a marquise in whose home he’s a guest. He’s also posed as an artist’s model for a portrait of St. George (Emile’s face is the dragon’s), and the marquise’s granddaughter falls in love first with his visage and then him. Can she help him slay his own dragons, especially when the showgirl reappears and the bank vault beckons?
A father and his son, a son and his father. Horikawa is a widower, a teacher, and a good father to Ryohei, who’s about 10. After a tragedy, Horikawa resigns from teaching and takes Ryohei from Tokyo to the town of Ueno, enrolling him in junior high; to the lad’s sorrow, he will be a boarder. Horikawa returns to work in Tokyo, their separation is complete. Jump ahead more than ten years: with dad’s help, Ryohei has finished college and has a teaching job in Akita. Horikawa considers living with his son, which Ryohei wants, but the elder’s notions of duty and hard work preclude it. Ryohei arranges a ten-day vacation with his father. Heartbreak comes quietly, nearly hidden by dignity.